Ficção brasileira de Chico Buarque de Hollanda: a imagem da identidade da personagem

• Ano de defesa: 2005
• Autor(a) principal: Moraes, Daniela Osório Palin de
• Orientador(a): Palo, Maria José
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
• Departamento: Literatura
• País: BR
• Palavras-chave em Português: Identidade; Discurso interativo; Ficção contemporânea; Experiência corporal da leitura; Buarque, Chico > 1944- > Crítica e interpretação; Ficção brasileira > Século 20; Identidade em literatura
• Palavras-chave em Inglês: Identity; Interactive discourse; Contemporary fiction; Corporal experience of reading
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA
• Link de acesso: https://tede2.pucsp.br/handle/handle/14689

This dissertation paper aims at unfolding the process as well as the proceedings which underlies the construction of character identity by the narrator which is found in the contemporary fiction written by Chico Buarque de Holanda a Brazilian writer Some vital thematic issues were focused both in the light of the historic and descriptive methods Bakhtin`s dialogism so as to rescue the features of post modern narrator in confront with the classical narrator mainly the role which is transferred to the character In the first chapter the dialogue between Walter Benjamim and Silviano Santiago is used as our theoretical underpinnings to establish the counterpoints between the character on the leading role and in the secondary one within the plan of different voices interaction in the romance discourse in the BENJAMIM (1995) and BUDAPESTE (2003) analyses corpus In the second chapter I focus on the analyses of identity construction which marks the dissolution of prose structure owing to the position of questioning space on an attempt to inscribe it into modernity by providing it with a new time and shape through the character In the third chapter the experience of the narrator is focused and exemplified through identity crises and character s fragmentation in a representational simulacrum Two identities manifested in buarqueana prose are found within the random relations of the esthetic plan: that of the contemporary novel and that of the fictional character through the interactive experience of reading between narrator character and reader