Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Lima, Carlos William Ferreira de
 |
| Orientador(a): |
Santaella, Lucia |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/21970
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Resumo: |
This thesis seeks to understand how drones provide us with the amplification of vision and the breaking of physical barriers, in which the displacement to remote areas can be done by means of these aircrafts, without the necessity of being physically in them, being enough, for that, the use of a camera and a pair of glasses or a screen with a video signal receiver. This resource offered by the drone has been widely used for surveillance and investigation, both in the military and civilian areas, as this was studied by Foucault's (2014) social surveillance and the panopticon. This research will also address how disruptive technologies have contributed to the new way of seeing and acting on the overflown terrain and how this has been widely explored in the audiovisual media. These equipments have been used in large scale, in several locations, for the monitoring of plantations, pest control, capture of images for TV and control of public demonstrations. Our search is situated only in the drone corpus as a product of a disruptive technology, which presents us with the extension of vision by means of a digital look. The immersion provided by the FPV (First Person View) enhances the operator's vision capability and, at the same time, provides a significant augmented reality, without the use of computational resources for simulation, but only by the mediation created by the drone view and displacements, almost as an extracorporeal experience. Our research will go in the direction of the omnipresent vision and the impact of the drone on our actions, based on theories by Lucia Santaella in her work Media Culture and Michel Foucault. The aim is to shed light on this power to be, to see and to act in places in which we are not physically present, and without being a simulation, lead us to experience reality without risks to our integrity. How drones resignify our gaze and how we perceive the environment is the focus of our discussion. We will rely on Pearce’s semiotics to better understand the impact of this kind of image in the media and how it is widely used in audiovisual works. Going beyond the understanding of drones for military purposes, we advance to its influence in social actions, comparing how images were created in the past and reconstructed for new approaches in the present, shaping the gaze and creating new interactions |
