Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Portela, Rosana Silva
 |
| Orientador(a): |
Costa, Rogério da |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4353
|
Resumo: |
This research s objective is to observe in what ways the Spanish moviemaker Pedro Almodóvar uses in his early productions micropolitics structures on the expression and content plans as a different form for reading reality in the sense of breaking up with the legacy left by the general Francisco Franco that had as a basis the triad Family-State-Church. In order to analyze the established hypothesis of Almodóvar being as a matter of fact apolitical, or if the micropolitical structures used in his movies tell us the opposite we intend to develop a reading of some of his works in which is outlined the manner as he understands not only politics and ethics that ruled his time, but also how he can show us the frenetic activity of countless underground feelings of the Spanish people s subjectivity and why not from our entire culture. The hypothesis analysis leads us to the study of micropolitics concept as well as the reading that the moviemaker conducts about the affective movements of this culture that builds his micropolitics that is the way that Almodóvar makes himself able to read these affective movements that unceasingly promote the questioning of actual values and therefore oppressed ones. We can observe this dynamic mainly in his first movies like Laberinto de Pasiones (1982) and Qué He hecho yo para merecer esto (1984). In oder to subsidize the movie s analysis we will use the concepts of subjectivity production and micropolitics elucidated by Gilles Deleuze, Félix Guatarri and Suely Rolnik. The methodology applied to the research was elaborated through the bibliographic study about the moviemaker among them - María Antonia García de León, Teresa Maldonado, Frederic Strauss, Jordi Puigdomenech and others, besides other works that refer to the concepts used and works that intercross the proposed readings |
