A imagem do teatro Guaíra e da dança em Curitiba: influência e contaminação através da mídia

• Ano de defesa: 2005
• Autor(a) principal: Vellozo, Marila Annibelli
• Orientador(a): Katz, Helena
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
• Departamento: Comunicação
• País: BR
• Palavras-chave em Português: Jornalismo; Dança; Fundação Cultural Teatro Guaíra; jornalismo cultural; política cultural; Ballet Guaíra
• Palavras-chave em Inglês: cultural journalism; co-evolution; cultural politics; Guaíra Theater; Guaíra Ballet
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS
• Link de acesso: https://tede2.pucsp.br/handle/handle/5036

This dissertation has the object to discuss the role of cultural journalism in the construction of Guaíra Theater s image as being the exclusive representative of all dance production in Paraná State. For that, it has reunited as corpus of its investigation the published material of local news paper s and for some of national circulation between 1956 and 2004. With that, intending to attest that was this printed media action, in municipal, state and national levels, that constructed and consolidated a type of entail that goes back to the creation of Guaíra Theater Ballet Course, in 1956. And that was done on account of coevolutive current agreements in that environment. The hypothesis that has guided the investigation of the nature of this entail has its fundaments in a semiotics approach of the Evolutive Theories. The investigation was based on the understanding that were certain memes that propagated in linked processes to contamination and influence that, even today set Curitiba s dance environment. The dissertation maps the context in which the entail was established, identifying the prioritary aspects in the formation of this lasting association. This dissertation also discourses about the forms of using the government budget to the dance in Paraná and the aim is to contribute to a necessary public debate about the relation between the communication channels and public politics. Based on the Coevolution concept, this dissertation concludes that some survival strategies still remain in the city s environment, showing its replicators strength and the importance of evaluating these theories, searching direction for future choices to the formulation of public politics to the dance in the city.