Detalhes bibliográficos
| Ano de defesa: |
2010 |
| Autor(a) principal: |
Marques, Renata Rodrigues
 |
| Orientador(a): |
Salles, Cecilia Almeida |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4266
|
Resumo: |
The objective of this research is to investigate a process of creation in the performing arts, from the point of view of communication networks. The study was based on the discussion generated by an examination of the process, namely the design of idealization of the show, reports, references used (articles, stories, movies, books, pictures and music), audio-visual equipment for meetings, drafts, notes, e-mail traffic, road scenes, diagrams, photos and program performance. The limits of choice in studying the process of assembly Guilt is Science? held by Art and Science on Stage, was due to the quality and availability of the records. The research aims to propose a reading of semiotics as it was the journey of creating this installation art, focusing on communication issues, as well as how it gets the relationship with science. To analyze the corpus was used the methodology of critical process that is characterized by theoretical and critical follow the paths of production, through a phenomenological approach. It is an empirical treatment given to the contents of the documents. The relations between these indices are raised hypotheses that, during the research, are tested. The study is developed from the concept of creation and network construction, as well as discuss by Cecilia Salles, understanding which is the theoretical line Peircean semiotics in dialogue with thinkers of culture (Edgar Morin and Jerusa Ferreira); the study also speaks to the actress and performing arts researcher Thelma Lopes |
