Política e modulações do entretenimento televisivo: mulheres e denúncias

Detalhes bibliográficos
Ano de defesa: 2011
Autor(a) principal: Silva, Lúcia Soares da lattes
Orientador(a): Passetti, Edson
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Ciências Sociais
Departamento: Ciências Sociais
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/3302
Resumo: Television as a producer of truths operates in the speed of the flows in the society of control. As the main media after the post-war period, television connected to the internet convokes the spectator citizen consumer to adhere and participate by the means of probing, public opinion and shared collaboration from the media democracy. As an audio-visual instrument, the television invests in collective apparatuses such as the family, while producing its programs it allies entertainment and information 24 hours per day. As a connection amplified to other technological apparatuses, it fosters the interactions and participation exercising a continuous control, modeling and adapting social relationships and promoting other realities. The modulations of the female entertainment television programs and the journalists police program produce subjectivities and re subjectivities in the spectator citizen consumer, leading it to the self government and entrepreneurship, to the conformity, balance and conservative moderation. Politics and modulations of the television entertainment: women and denunciation doesn t intend to tell, construct and re construct the origin of the programs addressed to women, but it departs from the foucaultian genealogical analysis and from deleuzian and guattarian analytical to analyze the political history of the present and its effects on women and families