Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Coimbra, Gastão de Lima
 |
| Orientador(a): |
André, Claudio Fernando |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
|
| Departamento: |
Faculdade de Ciências Exatas e Tecnologia
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/22410
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Resumo: |
This research has as general objective to investigate a set of information that guides the researchers and producers, through the technical and theoretical bases for the production of content in stereoscopic 3D and anaglyph. What justifies this investigation is the scarcity of publications that contemplate the beginning, middle and end of the processes involved in the production of 3D content and also the fact that only a feature film until 2018 was produced in 3d in the country where this research is based, Brazil, and even produced by a contracted American team that returned with its equipment and know-how to the United States. What motivates the realization of this research is the possibility of expanding access in academic circles, the processes involved in the production of 3D works and the association of these processes in other projects and technologies. We will try to answer the following problematizing question: Is it possible, to gather in a clear and objective way, the processes involved in the production of audiovisual projects in 3d stereoscopic anaglyph? We consider the hypothesis that complex technological processes such as stereoscopic 3D can be organized in an objective way in order to facilitate their understanding and their use in the audiovisual in association with other technologies. We chose the methodology of the qualitative research, of the descriptive type, with origin of bibliographical / documentary data. For the review of previous studies, we will consider the period from 2007 to 2018 of theses and dissertations from reputed entities. In our theoretical reference we will delve into the fundamental themes of our research, which are basically about the capture of material in stereoscopic 3d, edition of this same material, post-production and exhibition of it. The research context will involve types of cameras, mounts available for 3D processes, software and anaglyphic stereoscopic assembly techniques, color post-production and glasses and screens ideal for projection and better three-dimensional perception. The expected results are the production of a clear and objective text on the stages of the production process in 3d stereoscopic anaglyph and the production of a video of up to one minute that can be satisfactorily assisted with anaglyph glasses, recognized by blue and red lenses |
