Detalhes bibliográficos
| Ano de defesa: |
2009 |
| Autor(a) principal: |
Mendes, Celiane
 |
| Orientador(a): |
Loyola, Juliana Silva |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
|
| Departamento: |
Literatura
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/14904
|
Resumo: |
The objective of this work is to study the narrator category in two works of Lygia Bojunga A bolsa amarela (1976) and O sofá estampado (1980) in order to elucidating the author project entered in them. Thus, deserves attention, in this study, the narratives procedures that are in the service of an authoral project construction. In the search of bojunguiano project, the work takes support in the theoretical studies of Wayne Booth (1980) the American critic especially in The Rhetoric of Fiction, a work in which, Booth organizes and illustrates the concept of implied author a double of real author . For the critic, the author can not be absent from the narrative, in addition to defining how to tell, the author included this mode in the narrative, projecting it to the authoral category, that also becomes fictional instance. First of all, we present a chapter about the critical fortune around the corpus studied here, for the purpose of understanding the differents theoretical-critical perspectives, already adopted in the critical study of selected works. Second of all, we turn our attention to the narrator s movements both in A bolsa amarela as in O sofá estampado to see how such procedures contribute to the construction of the bojunguiano project. The used method for reading the corpus was descriptive and analytical. Given the analysis undertaken, we have seen that the authoral project of the fiction writer identified in both works suposes an effect of approximation of the reader in relation to the narrative scene, causing the reflection about the narrated story and, in the course of his reading, a reflection about himself giving to the studied narratives an aesthetic effect that also includes the course of the reader s formation |
