Antônia sou eu, Antônia é você: identidade de mulheres negras na televisão brasileira
Ano de defesa: | 2010 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
Porto Alegre |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://hdl.handle.net/10923/2215 |
Resumo: | This work means to take a look on black women identity construction on the television series Antônia. For that we’ll observe elements in the black culture and identity and we’ll open space to discuss gender relations and the convergence between ethnicity and gender. We will also analyze the production context involving the show in two different ways. First by situating the socio-political and cultural reality of Brazilian black people through selected journalistic stories in two magazines, Veja and Raça Brasil during a determined period of time. And then reviewing the space occupied by the black population on national television, considering past decades’ important moments and the current status of exchange with Brazilian cinema, where Antônia can be placed. This way we intend to open new horizons on the representation forms of a part of the population frequently neglected by media culture. Furthermore analyzing Antônia and the identity forms it presents to African-descendent women, observing two perspectives, gender relations and “blackness”. For that we will be guided by authors such as Stuart Hall, Paul Gilroy and Douglas Kellner. |