Comunicação e complexibilidade: uma análise da produção de sentido na publicidade da Diesel

Detalhes bibliográficos
Ano de defesa: 2011
Autor(a) principal: Luca, Cristiane Cirimbelli de
Orientador(a): Ramos, Roberto José
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul
Porto Alegre
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/10923/2180
Resumo: In this paper, we are going to study the production of meaning, verbal and non-verbal aspects of the advertising brand Diesel. Our main goal will be studying the communication of “Diesel” trough advertising. We will explain the production of meaning of the advertisements presented by them and will learn to comprehend the message produced by Diesel in order to reach their consumer. Therefore, we will analyze eight advertisements, two copies of each different spring summer pieces of 2007, 2008, 2009 and 2010.The Advertisement is responsible for introducing the brands into the market. Fashion can approach people or break them apart, creating an individual autonomy when it comes to appearance, and at the same time it is used as a means of Communication. Diesel, which is on the market for over thirty years, uses these elements to draw the attention of their market share in an ironic, irreverent and controversial way, with their campaigns having only one single briefing and no famous models.During this study, we will contemplate the categories: Communication of Morin with the subcategories Image and Stereotype, both of Barthes, and Brand of Semprini, Myth and Power, based in Barthes and Postmodernity, Michel Maffesoli. We will proceed using the analysis method as the Paradigm of Complexity, Edgar Morin, as technique, Semiology and Semiology Research, Roland Barthes.Through the theoretical foundation of this work we will notice that Diesel has a peculiar characteristic with regard to the construction of its advertising, as it appropriates of almost exclusively pictures to transmit their ideas and disseminate the speech of the brand. Photographs are produced upon a single concept, for each campaign, and tackles controversial issues in order to draw the attention of readers to buy the lifestyle offered by Diesel.