Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Barros, Iberê Moreno Rosário e
 |
| Orientador(a): |
Faro, Jose Salvador |
| Banca de defesa: |
Santos , Marli dos,
Maringoni, Gilberto |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de Sao Paulo
|
| Programa de Pós-Graduação: |
Comunicacao Social
|
| Departamento: |
Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/1497
|
Resumo: |
This research is part of the discussion about midiatic communication in social interactions. Has as a theme, the cartoon as a midiatic narrative of the everyday. From a literature analysis and the an practical exercise, in which we studied the collection O lixo da história, published by Companhia das Letras. Among the authors and theories used, we highlight: the narrative concept, of Luiz Gonzaga Motta; the midiatization idea from José Luiz Braga studies; the cultural mediation theory from Jesús Martin-Barbero; the everyday studies of Michel de Certeau; and the understanding of culture, based upon Cultural Studies. The readings and analysis showed us the perspectives that the cartoon is an absurd narrative and a narrative of the absurd of a historic moment, in a way that it becomes a historiographic monument of the everyday. Like its done with tha journalistic narrative, the cartoon demands a critic vision, looking for more than its shape, but all the surroundings. |
