Detalhes bibliográficos
Ano de defesa: |
2015 |
Autor(a) principal: |
Corrêa, Marcos |
Orientador(a): |
Peruzzo, Cicília M. Krohling |
Banca de defesa: |
Cunha, Magali do Nascimento
,
Rebouças, José Edgard
,
Faro, José Salvador |
Tipo de documento: |
Tese
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Metodista de São Paulo
|
Programa de Pós-Graduação: |
PÓS GRADUAÇÃO EM COMUNICAÇÃO
|
Departamento: |
Processo Comunicacionais
|
País: |
BR
|
Palavras-chave em Português: |
|
Palavras-chave em Inglês: |
|
Área do conhecimento CNPq: |
|
Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/724
|
Resumo: |
Study about the documentaries fulfilled in the context of the Brazilian union movement in the 1970s and 1980s. The goal is to analyse the cinematográphic performing processes, brunt and role-play in the narratives about the urban industrial workers performed by film-makers that have proposed to step in and represent the new social movements who had rebirth in the context of the Brazilian political party opening. The analysis focus is on the image of the urban worker inside or outside the context of strike, biggest symbol of its political representation, resurgence and social impact. The methodology is the encoding of visual narrative elements and content analysis to, posteriorly, through the confrontation between the statements taken from interviews with its directors, verify how these imagens had built a speech about the labor force that end up being used as an alternative communication tool and assertion of identity by the individuals themselves. |