Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Demazo, Marcio José |
| Orientador(a): |
Santos Neto, Elydio dos
 |
| Banca de defesa: |
Demartini, Zeila de Brito Fabri
,
Alves, Maria Leila
,
Rusche, Robson Jesus |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de São Paulo
|
| Programa de Pós-Graduação: |
PÓS GRADUAÇÃO EM EDUCAÇÃO
|
| Departamento: |
Educação
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/1188
|
Resumo: |
The sentence of an educator: "conductor, music has changed the life of this boy" was the element that prompted the development of this research. The questions that were raised upon this consideration contemplate aspects related to art education in Brazilian schools, collected from official data showing a reduced number of art educators face the law concerning mandatory teaching of music in all basic education since 2011 by the Law 11.769/08. The research was developed on the suspicion that teaching art in Brazilian schools has proved insufficient regarding the promotion of the student in relation to art making, culminating in low interest in the arts discipline, reflecting later on the formation of a small number of art educators who probably had its beginning of art education progress outside school. The purpose of this research is to assess the relevance of the arts discipline or arts education in the trajectory of the educational process of art educators in music. This research looks at the work of Barbosa (2008) and Snyders (2008) in order to understand the concepts inherent in the teaching of art, music, and the historical process of artistic language in Brazil. Aiming to raise items for the research were carried out interviews with art educators, with reference theoretical at Nóvoa and Finger (2010) also Bosi (1987). Chapter I presents considerations on the artistic and historical development of art education in Brazil. Chapter II deals with practical experiences related to aesthetic education. Chapter III explains the theoretical background on the methodology used. Chapter IV presents the life stories of three art teachers in music, while Chapter V presents the appropriate conclusions based on interviews with art educators. |
