CANTO, ENCANTO E DESENCANTO: um estudo da tensão entre a prática do Canto Coral frente às novas tendências musicais nas Igrejas Batistas na cidade de Campinas.

• Ano de defesa: 2005
• Autor(a) principal: Souza, José Ferreira de
• Orientador(a): Silva, Geoval Jacinto da
• Banca de defesa: Cavalcante, Marcos Siqueira , Junker, Tércio Bretanha
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso embargado
• Idioma: por
• Instituição de defesa: Universidade Metodista de São Paulo
• Programa de Pós-Graduação: PÓS GRADUAÇÃO EM CIÊNCIAS DA RELIGIÃO
• Departamento: 1. Ciências Sociais e Religião 2. Literatura e Religião no Mundo Bíblico 3. Práxis Religiosa e Socie
• País: BR
• Palavras-chave em Português: Igreja Batista; Igreja Batista - Brasil - História; Igreja Batista - Brasil - Campinas (SP); Pluralismo religioso - Brasil; Música e religião; Ciências da Religião - Teses e dissertações
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::TEOLOGIA
• Link de acesso: http://tede.metodista.br/jspui/handle/tede/492

The research presents a study of the conflicting relationship between traditional and contemporary music. The study was based on a specific Protestant religious group, with the objective of investigating the hypothesis that there exists a tension between the use of choral music and new musical tendencies represented by bands. The methodology used is that of field research which evaluated the musical reality of specific Baptist Churches in Campinas. Based on the results obtained, concrete actions for pastoral practice are suggested. The first chapter proposes a conceptual and historical perspective of choral music, evaluating its function before the Reformation, and after the new musical mentality developed by Luther. The second chapter discusses the specific research realized in six Baptist Churches. This research describes the musical preferences of the members of these communities through a comparative study of the data obtained based on two poles: choral music and bands. These poles represent the larger context of Tradition and Contemporary. Bon the research presented, the third chapter offers a critical perspective regarding aspects of tradition, acceptance of new tendencies, and the tension developed between these distinct musical styles. In the face of this conflicting relationship, the research presents the challenge to pastoral practice of seeking a peaceful resolution of this musical relationship, considering the insertion of contemporary and traditional elements in Baptist liturgy.