Cultura participativa na cibercinefilia : produção e consumo cinéfilo na internet

• Ano de defesa: 2017
• Autor(a) principal: Ofemann, Rafael José Oliveira
• Orientador(a): Castro, Gisela Grangeiro da Silva
• Banca de defesa: Casaqui, Vander, Schvarzman, Sheila
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Escola Superior de Propaganda e Marketing
• Programa de Pós-Graduação: Programa de Mestrado em Comunicação e Práticas de Consumo
• Departamento: ESPM::Pós-Graduação Stricto Sensu
• País: Brasil
• Palavras-chave em Português: comunicação e consumo; cibercultura; cinefilia; cinema; cultura participativa
• Palavras-chave em Inglês: communication and consumption; cyberculture; cinefilia; movie theater; participatory culture
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: http://tede2.espm.br/handle/tede/253

The cinephile universe is recognized as an active sphere of cultural consumption and sociability who has in the reflexivity on the cinematographic works his mark. Be a movie buff, along the history, constitutes itself as a way of being. This research took as its object the cinéfilas in the digital environment. These practices of cultural consumption make up what we call such as cybercryphilia, a way of relating to cinema that has made use of the technological possibilities to connect people with close access to cinematographic works, dissemination of information, independent productions and reflections criticism as well as promoting the online debate on seventh art. To support reflection proposal, a dense bibliographical research sought to establish articulations between the studies of communication and consumption, cinema and cyberculture. In an empirical approach of the phenomenon, we investigate cybercryphilia environments through virtual ethnography and examine more detail a forum for sharing movies on the internet. The results that cibercinephilia has broadened and diversified cinema practices and proved to be a movement of resistance to the hegemonic logics of the great global film industry, by conflicts between free-sharing advocates and holders of intellectual property rights. The broad access to films and information made possible by cybercryphilia allows the cinephile develop more autonomously his expertise and judgment on the cinema than in the past.