O olhar documental: documentarismo entre cinema e hipermídia

• Ano de defesa: 2017
• Autor(a) principal: Medeiros, Rômulo Gonçalves
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Centro Federal de Educação Tecnológica de Minas Gerais; Programa de Pós-Graduação em Estudos de Linguagens; Brasil; CEFET-MG
• Link de acesso: https://repositorio.cefetmg.br/handle/123456789/194

This work investigates the paths of documentarism between its development on cinematographic medium and one of its expressions on hypermedia: the interactive documentary. How does documentarism operates on hypermediatic language? To answer this question, we start by examining the relations between image and representation and between documentary and the mechanical genesis of image. Through this, we build a perspective of realism, here thought of as a crave for totalization. With a brief review of historical research, we define the cinematographic documentary and find a possible connection between interactive and cinematographic documentaries based on the idea of broad documentarism. Based on post-structuralist concepts of textuality, we reflect on the operational aspects of computational hypertext, defining the main characteristics of hypermedia and questioning the possibilities of realism of conceptual image on interactive documentary. This work finds an operation that wishes to coincide experience of virtuality and reality. Based on interactivity, the genre operates by representing the experience.