Detalhes bibliográficos
| Ano de defesa: |
2006 |
| Autor(a) principal: |
Ravanello, Ricardo Brisolla |
| Orientador(a): |
Não Informado pela instituição |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: |
|
| Link de acesso: |
https://repositorio.animaeducacao.com.br/handle/ANIMA/3352
|
Resumo: |
The present work proposes to analyze language in the production of discourse while attitude of denial toward the values scattered by the late capitalism. For this purpose, the work chooses to analyze one of the several ways to produce resistance that tries to subvert the logic of consumption. In this study, we opted for analyzing the audiovisual materials produced in a cineclubbist environment. This moment is understood as being the greatest and totally spread expression of the late capitalism in an advanced stage of the accumulation process, where the capital turns into image. The consumption and the spectacle will be seen as the main generators of tension, anguish and way of social domination and manipulation, being this way one of the points in which we imagine to find resistance or subversive postures. The location of a postmodern environment solely serves as backdrop for discussing these two current problematic issues, the consumption and the spectacle and, mainly, for verifying how an activity such as cineclubbism can motivate the production of subversive discourses |
