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História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS

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Bibliografiset tiedot
Päätekijä: Santos, Linara Cristina dos
Julkaisupäivä: 2017
Aineistotyyppi: Master thesis
Kieli: por
Lähde: Repositório Institucional da UPF
Download full: https://repositorio.upf.br/handle/123456789/3428
Yhteenveto: This present work analyzes the missionary imaginary remaining in Santa Bárbara do Sul - in Rio Grande do Sul, Brazil, in the areas of history, aesthetics and heritage. These sculptural representations and their trajectories are allusive to historical processes which compose the dynamics of the dispersion of the remnants of the material culture coming from the Eastern Missions of Uruguay - known as Sete Povos - from the settlement of the region that covers Santa Bárbara do Sul and the appropriation of these ones by the new Portuguese-Brazilian settlers, in a process of long historical duration. The New Cultural History, the History of Mentalities heiress, has as one of its characteristics the analysis of cultural phenomena in the perspective of long duration. Considering that this research aims to analyze the appropriation and the redefinition of the missionary imaginary, the long duration was used to investigate how the images of Santa Barbara and São João Batista are witnesses to the process of settlement. The region of Santa Bárbara do Sul was a post of the great ranch of the People of São Lourenço during the Jesuit-Guarani period. In these places, it was common to have small villages with chapels dedicated to the saints that protected the places. The objective is to explore the hypothesis that the images of Santa Bárbara and São João Batista, remaining in Santa Bárbara do Sul, are representative of the material culture of the former missionary ranch and that may have been made in that place by indigenous craftsmen, out of the missionary workshops. Aesthetically, these images are representative of the indigenous intervention in the imaginary, introduced by the Jesuits, and of the cultural fusion that was the missionary experience, which resulted in original works of indigenous style, characteristic of a new artistic style: the missionary. Through the analysis of the aesthetic elements and attributes that accompany the images, its missionary origin was verified. Finally, there was a significant change in the meanings attributed to the images. Nowadays, they undergo a process of patrimonialization to the detriment of their religious value.
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author Santos, Linara Cristina dos
author_browse Santos, Linara Cristina dos
author_facet Santos, Linara Cristina dos
author_role author
collection Repositório Institucional da UPF
dc.contributor.author.fl_str_mv Santos, Linara Cristina dos
dc.contributor.none.fl_str_mv Ahlert, Jacqueline
http://lattes.cnpq.br/9750957932305493
dc.date.none.fl_str_mv 2017-10-03
2025-05-07T15:36:06Z
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.identifier.uri.fl_str_mv SANTOS, Linara Cristina dos. História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS. 2017. 145 f. Dissertação (Mestrado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2017.
https://repositorio.upf.br/handle/123456789/3428
dc.language.iso.fl_str_mv por
dc.publisher.none.fl_str_mv Universidade de Passo Fundo
Instituto de Filosofia e Ciências Humanas - IFCH
Brasil
UPF
Programa de Pós-Graduação em História
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv reponame:Repositório Institucional da UPF
instname:Universidade de Passo Fundo (UPF)
instacron:UPF
dc.subject.por.fl_str_mv Patrimônio histórico
CIENCIAS HUMANAS::HISTORIA
dc.title.none.fl_str_mv História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
History, aesthetics and patrimonial redefinition of the remaining missionary imaginary in Santa Bárbara do Sul/RS
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
description This present work analyzes the missionary imaginary remaining in Santa Bárbara do Sul - in Rio Grande do Sul, Brazil, in the areas of history, aesthetics and heritage. These sculptural representations and their trajectories are allusive to historical processes which compose the dynamics of the dispersion of the remnants of the material culture coming from the Eastern Missions of Uruguay - known as Sete Povos - from the settlement of the region that covers Santa Bárbara do Sul and the appropriation of these ones by the new Portuguese-Brazilian settlers, in a process of long historical duration. The New Cultural History, the History of Mentalities heiress, has as one of its characteristics the analysis of cultural phenomena in the perspective of long duration. Considering that this research aims to analyze the appropriation and the redefinition of the missionary imaginary, the long duration was used to investigate how the images of Santa Barbara and São João Batista are witnesses to the process of settlement. The region of Santa Bárbara do Sul was a post of the great ranch of the People of São Lourenço during the Jesuit-Guarani period. In these places, it was common to have small villages with chapels dedicated to the saints that protected the places. The objective is to explore the hypothesis that the images of Santa Bárbara and São João Batista, remaining in Santa Bárbara do Sul, are representative of the material culture of the former missionary ranch and that may have been made in that place by indigenous craftsmen, out of the missionary workshops. Aesthetically, these images are representative of the indigenous intervention in the imaginary, introduced by the Jesuits, and of the cultural fusion that was the missionary experience, which resulted in original works of indigenous style, characteristic of a new artistic style: the missionary. Through the analysis of the aesthetic elements and attributes that accompany the images, its missionary origin was verified. Finally, there was a significant change in the meanings attributed to the images. Nowadays, they undergo a process of patrimonialization to the detriment of their religious value.
eu_rights_str_mv openAccess
format masterThesis
id UPF_fd67c4de3a02cd1ea946db8b431d4eb4
identifier_str_mv SANTOS, Linara Cristina dos. História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS. 2017. 145 f. Dissertação (Mestrado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2017.
instacron_str UPF
institution UPF
instname_str Universidade de Passo Fundo (UPF)
language por
network_acronym_str UPF
network_name_str Repositório Institucional da UPF
oai_identifier_str oai:repositorio.upf.br:123456789/3428
publishDate 2017
publishDateSort 2017
publisher.none.fl_str_mv Universidade de Passo Fundo
Instituto de Filosofia e Ciências Humanas - IFCH
Brasil
UPF
Programa de Pós-Graduação em História
reponame_str Repositório Institucional da UPF
repository.mail.fl_str_mv jucelei@upf.br||biblio@upf.br
repository.name.fl_str_mv Repositório Institucional da UPF - Universidade de Passo Fundo (UPF)
repository_id_str 1610
spelling História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RSHistory, aesthetics and patrimonial redefinition of the remaining missionary imaginary in Santa Bárbara do Sul/RSPatrimônio históricoCIENCIAS HUMANAS::HISTORIAThis present work analyzes the missionary imaginary remaining in Santa Bárbara do Sul - in Rio Grande do Sul, Brazil, in the areas of history, aesthetics and heritage. These sculptural representations and their trajectories are allusive to historical processes which compose the dynamics of the dispersion of the remnants of the material culture coming from the Eastern Missions of Uruguay - known as Sete Povos - from the settlement of the region that covers Santa Bárbara do Sul and the appropriation of these ones by the new Portuguese-Brazilian settlers, in a process of long historical duration. The New Cultural History, the History of Mentalities heiress, has as one of its characteristics the analysis of cultural phenomena in the perspective of long duration. Considering that this research aims to analyze the appropriation and the redefinition of the missionary imaginary, the long duration was used to investigate how the images of Santa Barbara and São João Batista are witnesses to the process of settlement. The region of Santa Bárbara do Sul was a post of the great ranch of the People of São Lourenço during the Jesuit-Guarani period. In these places, it was common to have small villages with chapels dedicated to the saints that protected the places. The objective is to explore the hypothesis that the images of Santa Bárbara and São João Batista, remaining in Santa Bárbara do Sul, are representative of the material culture of the former missionary ranch and that may have been made in that place by indigenous craftsmen, out of the missionary workshops. Aesthetically, these images are representative of the indigenous intervention in the imaginary, introduced by the Jesuits, and of the cultural fusion that was the missionary experience, which resulted in original works of indigenous style, characteristic of a new artistic style: the missionary. Through the analysis of the aesthetic elements and attributes that accompany the images, its missionary origin was verified. Finally, there was a significant change in the meanings attributed to the images. Nowadays, they undergo a process of patrimonialization to the detriment of their religious value.O presente trabalho realiza uma análise da imaginária missioneira, remanescente no município de Santa Bárbara do Sul-RS, Brasil, nos âmbitos da história, da estética e do patrimônio. Tais representações escultóricas e suas trajetórias são alusivas a processos históricos que compõem a dinâmica da dispersão dos remanescentes da cultura material proveniente das Missões Orientais do Uruguai -conhecidas como Sete Povos - do povoamento da região que abrange o município de Santa Bárbara do Sul e da apropriação destes pelos novos povoadores luso brasileiros, num processo de longa duração histórica. A Nova História Cultural, herdeira da História das Mentalidades, tem como uma de suas características a análise dos fenômenos culturais na perspectiva da longa duração. Como o objetivo da pesquisa é analisar a apropriação e a ressignificação da imaginária missioneira, utilizou-se da longa duração para investigar como as imagens de Santa Bárbara e São João Batista são testemunhas do processo de povoamento. A região de Santa Bárbara do Sul foi, durante o período jesuítico-guarani, um posto da grande estância do Povo de São Lourenço. Nestes postos era comum existir pequenos povoados com capelas dedicadas aos santos protetores dos lugares. Objetiva-se explorar a hipótese de que as imagens de Santa Bárbara e São João Batista, remanescentes no município, são representativas da cultura material da antiga estância missioneira e que podem ter sido confeccionadas no local por artesões indígenas, fora dos ateliers missioneiros. Esteticamente, essas imagens são representativas da intervenção indígena na imaginária, introduzida pelos jesuítas, e da amálgama cultural que foi a experiência missioneira, a qual resultou em obras originais de feitio autóctone, características de um novo estilo artístico: o missioneiro. Constatou-se, através da análise dos elementos estéticos e atributos que acompanham as imagens, a sua procedência missioneira. Por fim, verificou-se uma mudança significativa nos sentidos atribuídos às imagens. Nos dias atuais, elas passam por um processo de patrimonialização em detrimento do seu valor religioso.Universidade de Passo FundoInstituto de Filosofia e Ciências Humanas - IFCHBrasilUPFPrograma de Pós-Graduação em HistóriaAhlert, Jacquelinehttp://lattes.cnpq.br/9750957932305493Santos, Linara Cristina dos2025-05-07T15:36:06Z2017-10-03info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfapplication/pdfSANTOS, Linara Cristina dos. História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS. 2017. 145 f. Dissertação (Mestrado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2017.https://repositorio.upf.br/handle/123456789/3428porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UPFinstname:Universidade de Passo Fundo (UPF)instacron:UPF2025-12-30T20:21:42Zoai:repositorio.upf.br:123456789/3428Repositório InstitucionalPRIhttp://repositorio.upf.br/oai/requestjucelei@upf.br||biblio@upf.bropendoar:16102025-12-30T20:21:42Repositório Institucional da UPF - Universidade de Passo Fundo (UPF)
spellingShingle História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
Santos, Linara Cristina dos
Patrimônio histórico
CIENCIAS HUMANAS::HISTORIA
status_str publishedVersion
title História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
title_full História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
title_fullStr História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
title_full_unstemmed História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
title_short História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
title_sort História, estética e ressignificação patrimonial da imaginária missioneira remanescente em Santa Bárbara do Sul/RS
topic Patrimônio histórico
CIENCIAS HUMANAS::HISTORIA
url https://repositorio.upf.br/handle/123456789/3428