Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| تاريخ النشر: | 2023 |
| التنسيق: | Doctoral thesis |
| اللغة: | por |
| المصدر: | Repositório Institucional da UPF |
| Download full: | https://repositorio.upf.br/handle/123456789/3470 |
الملخص: | Having noted the scarcity of studies on textile art in Rio Grande do Sul, artistic tapestry was established as the central theme of this research, incorporating the following problem: which historical-artistic panorama can be traced based on the understanding of trajectories and textile works created by five artists from Rio Grande do Sul between the 1970s and 1990s? The corpus of analysis was made up of Yeddo Titze, Ivandira Dotto, Zoravia Bettiol, Carla Diehl Obino and Liciê Hunsche. Thus, the thesis was formed that, based on a historiographical and artistic investigation of the production of tapestries in Rio Grande do Sul, prioritizing the precursor centers formed in Porto Alegre and Santa Maria, an overview, albeit partial, of the textile art in dialogue with the current cultural system. In this way, tapestry as a segment of textile language would constitute a contributing and legitimizing component of an artistic movement that occurred in the state during this period. Derived from the problem, the geographical delimitation of the state of Rio Grande do Sul was established as a spatial delimitation, which also coincides with that of the region in terms of spaces in Porto Alegre and Santa Maria. Concerning the time period, the 1970s, 1980s and 1990s were prioritized as they were those with the most significant production and circulation of works and related artistic events. Also paying attention to coherence in historiographical procedures, the study is based on the dimension of New Cultural History (NHC), with an approach anchored in Regional History, whose domain is located in the broad area of Art History, specifically focused on textile language. Within this, the theme of woven artistic tapestries, which in contemporary times also receive other names: objects, sculptures or installations. Methodologically, this is a qualitative, bibliographic, exploratory and documentary research, mediated through images that, among many functions, participate here as information and the possibility of visual access to the works. To this end, the basis was guided, above all, by the writings of Andrade (1978); Barros (2007, 2008, 2013); Bourdieu (1983, 1989, 1996, 2007); Brites (1991, 2007, 2012, 2015); Bulhões (2007, 2014, 2020); Burke (1995, 2003, 2008, 2011); Carvalho (2007a and 2007b); Cáurio (1985); Chartier (1995); Foletto and Bisognin (2001); Gradim (2015, 2016, 2018); Grippa (2017, 2021, 2023); Mattar (2011, 2013, 2020); Pesavento (2004, 2008); Ramos (2007, 2017); Simioni (2007a, 2007b); Zattera (1988); Zielinsky (1985), as well as other references that contributed to specific aspects of development. Especially in Rio Grande do Sul, the occurrence of a legitimate artistic movement linked to textiles, especially tapestry, with a limited duration, starting around 1960, reaching its peak in the 80s and decline in the 1990s was confirmed. In this particular time and space, a group of artists shared common trends, adopting exclusive cultural practices, as a way of affirming identity and searching for symbolic capital in the field of art. They influenced each other by creating textile works and working to promote their artistic ideas, occupying spaces that had never been reached before. A legacy that contributed to the history of art in the state and reverberates to this day. |
| _version_ | 1871607647257493504 |
|---|---|
| author | Secco, Lorilei |
| author_browse | Secco, Lorilei |
| author_facet | Secco, Lorilei |
| author_role | author |
| collection | Repositório Institucional da UPF |
| dc.contributor.author.fl_str_mv | Secco, Lorilei |
| dc.contributor.none.fl_str_mv | Ahlert, Jacqueline http://lattes.cnpq.br/9750957932305493 |
| dc.date.none.fl_str_mv | 2023-11-14 2025-05-07T15:36:25Z |
| dc.format.none.fl_str_mv | application/pdf application/pdf |
| dc.identifier.uri.fl_str_mv | SECCO, Lorilei. Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul. 2023. 402 f. Tese (Doutorado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2023. https://repositorio.upf.br/handle/123456789/3470 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.none.fl_str_mv | Universidade de Passo Fundo Instituto de Humanidades, Ciências, Educação e Criatividade - IHCEC Brasil UPF Programa de Pós-Graduação em História |
| dc.rights.driver.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UPF instname:Universidade de Passo Fundo (UPF) instacron:UPF |
| dc.subject.por.fl_str_mv | Arte - História - Rio Grande do Sul Tapeçaria Historiografia CIENCIAS HUMANAS::HISTORIA |
| dc.title.none.fl_str_mv | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/doctoralThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | Having noted the scarcity of studies on textile art in Rio Grande do Sul, artistic tapestry was established as the central theme of this research, incorporating the following problem: which historical-artistic panorama can be traced based on the understanding of trajectories and textile works created by five artists from Rio Grande do Sul between the 1970s and 1990s? The corpus of analysis was made up of Yeddo Titze, Ivandira Dotto, Zoravia Bettiol, Carla Diehl Obino and Liciê Hunsche. Thus, the thesis was formed that, based on a historiographical and artistic investigation of the production of tapestries in Rio Grande do Sul, prioritizing the precursor centers formed in Porto Alegre and Santa Maria, an overview, albeit partial, of the textile art in dialogue with the current cultural system. In this way, tapestry as a segment of textile language would constitute a contributing and legitimizing component of an artistic movement that occurred in the state during this period. Derived from the problem, the geographical delimitation of the state of Rio Grande do Sul was established as a spatial delimitation, which also coincides with that of the region in terms of spaces in Porto Alegre and Santa Maria. Concerning the time period, the 1970s, 1980s and 1990s were prioritized as they were those with the most significant production and circulation of works and related artistic events. Also paying attention to coherence in historiographical procedures, the study is based on the dimension of New Cultural History (NHC), with an approach anchored in Regional History, whose domain is located in the broad area of Art History, specifically focused on textile language. Within this, the theme of woven artistic tapestries, which in contemporary times also receive other names: objects, sculptures or installations. Methodologically, this is a qualitative, bibliographic, exploratory and documentary research, mediated through images that, among many functions, participate here as information and the possibility of visual access to the works. To this end, the basis was guided, above all, by the writings of Andrade (1978); Barros (2007, 2008, 2013); Bourdieu (1983, 1989, 1996, 2007); Brites (1991, 2007, 2012, 2015); Bulhões (2007, 2014, 2020); Burke (1995, 2003, 2008, 2011); Carvalho (2007a and 2007b); Cáurio (1985); Chartier (1995); Foletto and Bisognin (2001); Gradim (2015, 2016, 2018); Grippa (2017, 2021, 2023); Mattar (2011, 2013, 2020); Pesavento (2004, 2008); Ramos (2007, 2017); Simioni (2007a, 2007b); Zattera (1988); Zielinsky (1985), as well as other references that contributed to specific aspects of development. Especially in Rio Grande do Sul, the occurrence of a legitimate artistic movement linked to textiles, especially tapestry, with a limited duration, starting around 1960, reaching its peak in the 80s and decline in the 1990s was confirmed. In this particular time and space, a group of artists shared common trends, adopting exclusive cultural practices, as a way of affirming identity and searching for symbolic capital in the field of art. They influenced each other by creating textile works and working to promote their artistic ideas, occupying spaces that had never been reached before. A legacy that contributed to the history of art in the state and reverberates to this day. |
| eu_rights_str_mv | openAccess |
| format | doctoralThesis |
| id | UPF_dfabfd2c700cb3c63eb9a7003650ff41 |
| identifier_str_mv | SECCO, Lorilei. Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul. 2023. 402 f. Tese (Doutorado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2023. |
| instacron_str | UPF |
| institution | UPF |
| instname_str | Universidade de Passo Fundo (UPF) |
| language | por |
| network_acronym_str | UPF |
| network_name_str | Repositório Institucional da UPF |
| oai_identifier_str | oai:repositorio.upf.br:123456789/3470 |
| publishDate | 2023 |
| publishDateSort | 2023 |
| publisher.none.fl_str_mv | Universidade de Passo Fundo Instituto de Humanidades, Ciências, Educação e Criatividade - IHCEC Brasil UPF Programa de Pós-Graduação em História |
| reponame_str | Repositório Institucional da UPF |
| repository.mail.fl_str_mv | jucelei@upf.br||biblio@upf.br |
| repository.name.fl_str_mv | Repositório Institucional da UPF - Universidade de Passo Fundo (UPF) |
| repository_id_str | 1610 |
| spelling | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do SulArte - História - Rio Grande do SulTapeçariaHistoriografiaCIENCIAS HUMANAS::HISTORIAHaving noted the scarcity of studies on textile art in Rio Grande do Sul, artistic tapestry was established as the central theme of this research, incorporating the following problem: which historical-artistic panorama can be traced based on the understanding of trajectories and textile works created by five artists from Rio Grande do Sul between the 1970s and 1990s? The corpus of analysis was made up of Yeddo Titze, Ivandira Dotto, Zoravia Bettiol, Carla Diehl Obino and Liciê Hunsche. Thus, the thesis was formed that, based on a historiographical and artistic investigation of the production of tapestries in Rio Grande do Sul, prioritizing the precursor centers formed in Porto Alegre and Santa Maria, an overview, albeit partial, of the textile art in dialogue with the current cultural system. In this way, tapestry as a segment of textile language would constitute a contributing and legitimizing component of an artistic movement that occurred in the state during this period. Derived from the problem, the geographical delimitation of the state of Rio Grande do Sul was established as a spatial delimitation, which also coincides with that of the region in terms of spaces in Porto Alegre and Santa Maria. Concerning the time period, the 1970s, 1980s and 1990s were prioritized as they were those with the most significant production and circulation of works and related artistic events. Also paying attention to coherence in historiographical procedures, the study is based on the dimension of New Cultural History (NHC), with an approach anchored in Regional History, whose domain is located in the broad area of Art History, specifically focused on textile language. Within this, the theme of woven artistic tapestries, which in contemporary times also receive other names: objects, sculptures or installations. Methodologically, this is a qualitative, bibliographic, exploratory and documentary research, mediated through images that, among many functions, participate here as information and the possibility of visual access to the works. To this end, the basis was guided, above all, by the writings of Andrade (1978); Barros (2007, 2008, 2013); Bourdieu (1983, 1989, 1996, 2007); Brites (1991, 2007, 2012, 2015); Bulhões (2007, 2014, 2020); Burke (1995, 2003, 2008, 2011); Carvalho (2007a and 2007b); Cáurio (1985); Chartier (1995); Foletto and Bisognin (2001); Gradim (2015, 2016, 2018); Grippa (2017, 2021, 2023); Mattar (2011, 2013, 2020); Pesavento (2004, 2008); Ramos (2007, 2017); Simioni (2007a, 2007b); Zattera (1988); Zielinsky (1985), as well as other references that contributed to specific aspects of development. Especially in Rio Grande do Sul, the occurrence of a legitimate artistic movement linked to textiles, especially tapestry, with a limited duration, starting around 1960, reaching its peak in the 80s and decline in the 1990s was confirmed. In this particular time and space, a group of artists shared common trends, adopting exclusive cultural practices, as a way of affirming identity and searching for symbolic capital in the field of art. They influenced each other by creating textile works and working to promote their artistic ideas, occupying spaces that had never been reached before. A legacy that contributed to the history of art in the state and reverberates to this day.Constatada a escassez de estudos sobre à arte têxtil do Rio Grande do Sul, estabeleceu-se como tema central desta pesquisa a tapeçaria artística, incorporando a seguinte problemática: qual panorama histórico-artístico pode ser traçado a partir da compreensão de trajetórias e obras têxteis criadas por cinco artistas sul-rio-grandenses entre as décadas de 1970 e 1990? O corpus de análise foi constituído por Yeddo Titze, Ivandira Dotto, Zoravia Bettiol, Carla Diehl Obino e Liciê Hunsche. Assim, configurou-se a tese que, a partir de uma investigação historiográfica e artística da produção de tapeçarias no Rio Grande do Sul, priorizando os polos precursores formados em Porto Alegre e Santa Maria, poderia ser traçado um panorama, ainda que parcial, da arte têxtil em diálogo com o sistema cultural vigente. Dessa forma, a tapeçaria como segmento da linguagem têxtil se constituiria em um componente contributivo e legitimador de um movimento artístico ocorrido no estado nesse período. Derivado do problema, estabeleceu-se como recorte espacial a delimitação geográfica do estado do Rio Grande do Sul, que também coincide com a da região no que tange aos espaços em Porto Alegre e Santa Maria. Concernente ao período de tempo, as décadas de 1970, 1980 e 1990 foram priorizadas por serem as que apresentam a produção e circulação mais expressiva de obras e eventos artísticos relacionados. Atentando ainda para a coerência nos procedimentos historiográficos, o estudo fundamenta-se na dimensão da Nova História Cultural (NHC), com abordagem ancorada na História Regional, cujo domínio se situa na grande área da História da Arte, especificamente voltada à linguagem têxtil. Dentro desta, ao tema das tapeçarias artísticas tramadas, que na contemporaneidade recebem também outras denominações: objetos, esculturas ou instalações. Metodologicamente, trata-se de uma pesquisa qualitativa, bibliográfica, exploratória e documental, com mediação através de imagens que, dentre tantas funções, participam aqui como informação e possibilidade de acesso visual às obras. Para tal, o embasamento orientou-se, sobretudo, pelos escritos de Andrade (1978); Barros (2007, 2008, 2013); Bourdieu (1983, 1989, 1996, 2007); Brites (1991, 2007, 2012, 2015); Bulhões (2007, 2014, 2020); Burke (1995, 2003, 2008, 2011); Carvalho (2007a e 2007b); Cáurio (1985); Chartier (1995); Foletto e Bisognin (2001); Gradim (2015, 2016, 2018); Grippa (2017, 2021, 2023); Mattar (2011, 2013, 2020); Pesavento (2004, 2008); Ramos (2007, 2017); Simioni (2007a, 2007b); Zattera (1988); Zielinsky (1985), bem como por outras referências que contribuíram em aspectos pontuais do desenvolvimento. Em especial no Rio Grande do Sul, se confirmou a ocorrência de um movimento artístico legítimo ligado aos têxteis, sobretudo à tapeçaria, com uma duração limitada, iniciando por volta de 1960, alcançando o seu apogeu nos anos 80 e a decadência na década de 1990. Nesse recorte de tempo e espaço próprio, um grupo de artistas compartilhou tendências comuns, adotando práticas culturais exclusivas, como modo de afirmação de identidade e de busca por capital simbólico no campo da arte. Influenciaram-se mutuamente criando obras têxteis e trabalhando em prol da promoção de suas ideias artísticas, ocupando espaços até então nunca alcançados. Um legado que contribuiu para a história da arte no estado e reverbera até hoje.Universidade de Passo FundoInstituto de Humanidades, Ciências, Educação e Criatividade - IHCECBrasilUPFPrograma de Pós-Graduação em HistóriaAhlert, Jacquelinehttp://lattes.cnpq.br/9750957932305493Secco, Lorilei2025-05-07T15:36:25Z2023-11-14info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfapplication/pdfSECCO, Lorilei. Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul. 2023. 402 f. Tese (Doutorado em História) - Universidade de Passo Fundo, Passo Fundo, RS, 2023.https://repositorio.upf.br/handle/123456789/3470porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UPFinstname:Universidade de Passo Fundo (UPF)instacron:UPF2025-12-30T19:51:58Zoai:repositorio.upf.br:123456789/3470Repositório InstitucionalPRIhttp://repositorio.upf.br/oai/requestjucelei@upf.br||biblio@upf.bropendoar:16102025-12-30T19:51:58Repositório Institucional da UPF - Universidade de Passo Fundo (UPF) |
| spellingShingle | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul Secco, Lorilei Arte - História - Rio Grande do Sul Tapeçaria Historiografia CIENCIAS HUMANAS::HISTORIA |
| status_str | publishedVersion |
| title | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| title_full | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| title_fullStr | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| title_full_unstemmed | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| title_short | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| title_sort | Seguindo o fio: a tapeçaria artística tramada no Rio Grande do Sul |
| topic | Arte - História - Rio Grande do Sul Tapeçaria Historiografia CIENCIAS HUMANAS::HISTORIA |
| url | https://repositorio.upf.br/handle/123456789/3470 |