Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna
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| Main Author: | |
|---|---|
| Publication Date: | 2016 |
| Format: | Master thesis |
| Language: | por |
| Source: | Repositório Institucional da UFG |
| Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/6175 |
Summary: | This paper’s purpose is to understand the relations between country music and its time, comprehending it as a possible interpretation of language, and the expression of society in which it interacs with. We utilized as an object of analyses the life and works of Francisco Ricardo de Souza (Marrequinho), a Goiano country musician, observing his productions between the years of 1950 through 2010. Under this perspective, we will investigate which aspect the songs of the composer has a dialog which refers to the rural life and the urban life at a certain point, and if there is an appropriation of the compositor’s work in the ocasion of the modern in Goiânia in its first decades of his compositions. Considering the process of character and nothing estatic of the music, it is observable that the changes in country music combine elements related to tradition and modernity, visualizing for instance, a conflictuous relationship. Such characteristic, does not obviously limit the compositor’s work but the genre in a general form. At the “light” of Marrequinho’s work, we will analize the “construction” of his discussions of distinction between Folk country music and modern country music, maintaining in sight elements of continuities and possible intersections. Under such movement, we will examine in which way the conception of tradition dialogs with modern ideas and with the urban expansion in Brazil after the 1950’s. |
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| author | Santos, Inglas Ferreira Neiva dos |
| author_browse | Santos, Inglas Ferreira Neiva dos |
| author_facet | Santos, Inglas Ferreira Neiva dos |
| author_role | author |
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| collection | Repositório Institucional da UFG |
| contributor_str_mv | Capel, Heloisa Selma Fernandes Capel, Heloisa Selma Fernandes Alencar, Maria Amélia Garcia de Clímaco, Magda de Miranda Magalhães, Sônia Maria de |
| dc.contributor.advisor1.fl_str_mv | Capel, Heloisa Selma Fernandes |
| dc.contributor.advisor1Lattes.fl_str_mv | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4786247Y1 |
| dc.contributor.author.fl_str_mv | Santos, Inglas Ferreira Neiva dos |
| dc.contributor.authorLattes.fl_str_mv | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4495750D9 |
| dc.contributor.referee1.fl_str_mv | Capel, Heloisa Selma Fernandes |
| dc.contributor.referee2.fl_str_mv | Alencar, Maria Amélia Garcia de |
| dc.contributor.referee3.fl_str_mv | Clímaco, Magda de Miranda |
| dc.contributor.referee4.fl_str_mv | Magalhães, Sônia Maria de |
| dc.date.accessioned.fl_str_mv | 2016-09-12T14:23:39Z |
| dc.date.issued.fl_str_mv | 2016-04-29 |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.citation.fl_str_mv | SANTOS, I. F. N. Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna. 2016. 243 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2016. |
| dc.identifier.uri.fl_str_mv | http://repositorio.bc.ufg.br/tede/handle/tede/6175 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.country.fl_str_mv | Brasil |
| dc.publisher.department.fl_str_mv | Faculdade de História - FH (RG) |
| dc.publisher.initials.fl_str_mv | UFG |
| dc.publisher.none.fl_str_mv | Universidade Federal de Goiás |
| dc.publisher.program.fl_str_mv | Programa de Pós-graduação em História (FH) |
| dc.relation.cnpq.fl_str_mv | -3840921936332040591 |
| dc.relation.confidence.fl_str_mv | 600 600 600 |
| dc.relation.department.fl_str_mv | 318079220827185643 |
| dc.relation.program.fl_str_mv | 2839177457274157639 |
| dc.rights.driver.fl_str_mv | http://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| dc.subject.cnpq.fl_str_mv | CIENCIAS HUMANAS::HISTORIA |
| dc.subject.eng.fl_str_mv | Folk country music Country music Modernity |
| dc.subject.por.fl_str_mv | Francisco Ricardo (Marrequinho) Música “caipira” Música sertaneja Modernidade |
| dc.title.alternative.eng.fl_str_mv | Country images: Francisco Ricardo de Souza (Marrequinho) and the cultural construction of the modern musical scene |
| dc.title.por.fl_str_mv | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/masterThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This paper’s purpose is to understand the relations between country music and its time, comprehending it as a possible interpretation of language, and the expression of society in which it interacs with. We utilized as an object of analyses the life and works of Francisco Ricardo de Souza (Marrequinho), a Goiano country musician, observing his productions between the years of 1950 through 2010. Under this perspective, we will investigate which aspect the songs of the composer has a dialog which refers to the rural life and the urban life at a certain point, and if there is an appropriation of the compositor’s work in the ocasion of the modern in Goiânia in its first decades of his compositions. Considering the process of character and nothing estatic of the music, it is observable that the changes in country music combine elements related to tradition and modernity, visualizing for instance, a conflictuous relationship. Such characteristic, does not obviously limit the compositor’s work but the genre in a general form. At the “light” of Marrequinho’s work, we will analize the “construction” of his discussions of distinction between Folk country music and modern country music, maintaining in sight elements of continuities and possible intersections. Under such movement, we will examine in which way the conception of tradition dialogs with modern ideas and with the urban expansion in Brazil after the 1950’s. |
| eu_rights_str_mv | openAccess |
| format | masterThesis |
| id | UFG-2_c3eafa656ebdcfd16ab5ee4ba0dec8cb |
| identifier_str_mv | SANTOS, I. F. N. Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna. 2016. 243 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2016. |
| instacron_str | UFG |
| institution | UFG |
| instname_str | Universidade Federal de Goiás (UFG) |
| language | por |
| network_acronym_str | UFG-2 |
| network_name_str | Repositório Institucional da UFG |
| oai_identifier_str | oai:repositorio.bc.ufg.br:tede/6175 |
| publishDate | 2016 |
| publishDateSort | 2016 |
| publisher.none.fl_str_mv | Universidade Federal de Goiás |
| reponame_str | Repositório Institucional da UFG |
| repository.mail.fl_str_mv | grt.bc@ufg.br |
| repository.name.fl_str_mv | Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
| repository_id_str | oai:repositorio.bc.ufg.br:tede/1234 |
| rights_invalid_str_mv | http://creativecommons.org/licenses/by/4.0/ |
| spelling | Capel, Heloisa Selma Fernandeshttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4786247Y1Capel, Heloisa Selma FernandesAlencar, Maria Amélia Garcia deClímaco, Magda de MirandaMagalhães, Sônia Maria dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4495750D9Santos, Inglas Ferreira Neiva dos2016-09-12T14:23:39Z2016-04-29SANTOS, I. F. N. Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna. 2016. 243 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/6175This paper’s purpose is to understand the relations between country music and its time, comprehending it as a possible interpretation of language, and the expression of society in which it interacs with. We utilized as an object of analyses the life and works of Francisco Ricardo de Souza (Marrequinho), a Goiano country musician, observing his productions between the years of 1950 through 2010. Under this perspective, we will investigate which aspect the songs of the composer has a dialog which refers to the rural life and the urban life at a certain point, and if there is an appropriation of the compositor’s work in the ocasion of the modern in Goiânia in its first decades of his compositions. Considering the process of character and nothing estatic of the music, it is observable that the changes in country music combine elements related to tradition and modernity, visualizing for instance, a conflictuous relationship. Such characteristic, does not obviously limit the compositor’s work but the genre in a general form. At the “light” of Marrequinho’s work, we will analize the “construction” of his discussions of distinction between Folk country music and modern country music, maintaining in sight elements of continuities and possible intersections. Under such movement, we will examine in which way the conception of tradition dialogs with modern ideas and with the urban expansion in Brazil after the 1950’s.O trabalho propõe entender as relações entre a música sertaneja e seu tempo, compreendendo-a como uma possível linguagem de interpretação e expressão da sociedade com a qual interage. Para tal objetivo utilizamos como objeto de análise a vida e obra do compositor goiano de música sertaneja Francisco Ricardo de Souza (Marrequinho), observando sua produção entre os anos de 1950 a 2010. Sob tal perspectiva, busca-se investigar em que aspecto as canções do compositor dialogam com as questões referentes ao campo e à cidade, supondo, em certa medida, que há uma apropriação da obra do autor sob a conjuntura do moderno em Goiânia nas décadas iniciais de suas composições. Considerando o caráter processual e nada estático da música, observa-se que as mudanças na música sertaneja combinam elementos relacionados à tradição e à modernidade, protagonizando por vezes, uma relação conflituosa. Tal característica, não se limita obviamente, à obra do compositor, mas ao gênero de forma geral. À luz da obra de Marrequinho analisaremos a “construção” dos discursos de distinção entre a música caipira e a música sertaneja, tendo em vista elementos de continuidades e de possíveis intersecções. Sob tal movimento, interessa-nos examinar de que maneira a concepção de “tradição” dialoga com as ideias modernas e com a expansão urbana no Brasil a partir dos anos de 1950.application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessFrancisco Ricardo (Marrequinho)Música “caipira”Música sertanejaModernidadeFolk country musicCountry musicModernityCIENCIAS HUMANAS::HISTORIAImagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical modernaCountry images: Francisco Ricardo de Souza (Marrequinho) and the cultural construction of the modern musical sceneinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2839177457274157639600600600318079220827185643-3840921936332040591reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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| spellingShingle | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna Santos, Inglas Ferreira Neiva dos Francisco Ricardo (Marrequinho) Música “caipira” Música sertaneja Modernidade Folk country music Country music Modernity CIENCIAS HUMANAS::HISTORIA |
| status_str | publishedVersion |
| title | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| title_full | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| title_fullStr | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| title_full_unstemmed | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| title_short | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| title_sort | Imagens sertanejas: Francisco Ricardo de Souza (Marrequinho) e a construção cultural da cena musical moderna |
| topic | Francisco Ricardo (Marrequinho) Música “caipira” Música sertaneja Modernidade Folk country music Country music Modernity CIENCIAS HUMANAS::HISTORIA |
| url | http://repositorio.bc.ufg.br/tede/handle/tede/6175 |