História e imaginação em Natalie Zemon Davis

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Autor principal: Leite, Mayke Rogerio Ferreira
Publication Date: 2019
Formato: Master thesis
Idioma: por
Fonte: Repositório Institucional da UFG
Download full: http://repositorio.bc.ufg.br/tede/handle/tede/10234
Resumo: This thesis aims to problematize the question of historical imagination in Natalie Zemon Davis. Reputed historian, the North American used the historical imagination constantly in her literary works, to compose gaps, to dialogue directly with her research objects. It attempts to interdisciplinary dialogues, Natalie Zemon Davis dialogued with the anthropology, ethnography, literature and the cinema, and thus, researched about multiple objects, as religion, culture, peasants, workers, women, and others, being knew an eclectic historian in approaches and in research objects. Her most highlighted literary work in the historiography is The return of Martin Guerre (1982), projected internationally and whose question of the historical imagination being a fundamental element. The research process about the case of Martin Guerre put doubly the problem of imagination to Natalie Zemon Davis. First, in the work of the historian as historical consultant in the production of Le retour de Martin Guerre movie and then, in the writing of the book The return of Martin Guerre. This process of an inverse production, first in a movie and then in a book, availed to conclude that the imaginative work in cinema, awakened Natalie Zemon Davis to more attention in the using of imagination in the history writing, permitted, only, in moments of need. To the historian it is possible to use the imaginative resource in the history writing, provided it is so responsibly towards the evidences. In this way, only was possible to reach this conclusion since the moment in what we approach the book and the movie about Martin Guerre as a central axe by what all the discussion about the imagination passed.
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author Leite, Mayke Rogerio Ferreira
author_browse Leite, Mayke Rogerio Ferreira
author_facet Leite, Mayke Rogerio Ferreira
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contributor_str_mv Campos, Raquel Machado Gonçalves
Campos, Raquel Machado Gonçalves
Almeida, Tiago Santos
Sá Júnior, Luiz César de
Arrais, Cristiano Pereira Alencar
Quadros, Eduardo Gusmão de
dc.contributor.advisor1.fl_str_mv Campos, Raquel Machado Gonçalves
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2245138184521600
dc.contributor.author.fl_str_mv Leite, Mayke Rogerio Ferreira
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6441809477484338
dc.contributor.referee1.fl_str_mv Campos, Raquel Machado Gonçalves
dc.contributor.referee2.fl_str_mv Almeida, Tiago Santos
dc.contributor.referee3.fl_str_mv Sá Júnior, Luiz César de
dc.contributor.referee4.fl_str_mv Arrais, Cristiano Pereira Alencar
dc.contributor.referee5.fl_str_mv Quadros, Eduardo Gusmão de
dc.date.accessioned.fl_str_mv 2019-12-12T13:10:51Z
dc.date.issued.fl_str_mv 2019-12-06
dc.format.none.fl_str_mv application/pdf
dc.identifier.citation.fl_str_mv LEITE, Mayke Rogerio Ferreira. História e imaginação em Natalie Zemon Davis. 2019. 204 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/10234
dc.language.iso.fl_str_mv por
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de História - FH (RG)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em História (FH)
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dc.relation.department.fl_str_mv 318079220827185643
dc.relation.program.fl_str_mv 2839177457274157639
dc.relation.sponsorship.fl_str_mv 2075167498588264571
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFG
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Historical imagination
History writing
dc.subject.por.fl_str_mv Natalie Zemon Davis
Imaginação histórica
Escrita da história
Cinema
dc.title.alternative.eng.fl_str_mv History and imagination in Natalie Zemon Davis
dc.title.eng.fl_str_mv História e imaginação em Natalie Zemon Davis
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
description This thesis aims to problematize the question of historical imagination in Natalie Zemon Davis. Reputed historian, the North American used the historical imagination constantly in her literary works, to compose gaps, to dialogue directly with her research objects. It attempts to interdisciplinary dialogues, Natalie Zemon Davis dialogued with the anthropology, ethnography, literature and the cinema, and thus, researched about multiple objects, as religion, culture, peasants, workers, women, and others, being knew an eclectic historian in approaches and in research objects. Her most highlighted literary work in the historiography is The return of Martin Guerre (1982), projected internationally and whose question of the historical imagination being a fundamental element. The research process about the case of Martin Guerre put doubly the problem of imagination to Natalie Zemon Davis. First, in the work of the historian as historical consultant in the production of Le retour de Martin Guerre movie and then, in the writing of the book The return of Martin Guerre. This process of an inverse production, first in a movie and then in a book, availed to conclude that the imaginative work in cinema, awakened Natalie Zemon Davis to more attention in the using of imagination in the history writing, permitted, only, in moments of need. To the historian it is possible to use the imaginative resource in the history writing, provided it is so responsibly towards the evidences. In this way, only was possible to reach this conclusion since the moment in what we approach the book and the movie about Martin Guerre as a central axe by what all the discussion about the imagination passed.
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identifier_str_mv LEITE, Mayke Rogerio Ferreira. História e imaginação em Natalie Zemon Davis. 2019. 204 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.
instacron_str UFG
institution UFG
instname_str Universidade Federal de Goiás (UFG)
language por
network_acronym_str UFG-2
network_name_str Repositório Institucional da UFG
oai_identifier_str oai:repositorio.bc.ufg.br:tede/10234
publishDate 2019
publishDateSort 2019
publisher.none.fl_str_mv Universidade Federal de Goiás
reponame_str Repositório Institucional da UFG
repository.mail.fl_str_mv grt.bc@ufg.br
repository.name.fl_str_mv Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)
repository_id_str oai:repositorio.bc.ufg.br:tede/1234
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spelling Campos, Raquel Machado Gonçalveshttp://lattes.cnpq.br/2245138184521600Campos, Raquel Machado GonçalvesAlmeida, Tiago SantosSá Júnior, Luiz César deArrais, Cristiano Pereira AlencarQuadros, Eduardo Gusmão dehttp://lattes.cnpq.br/6441809477484338Leite, Mayke Rogerio Ferreira2019-12-12T13:10:51Z2019-12-06LEITE, Mayke Rogerio Ferreira. História e imaginação em Natalie Zemon Davis. 2019. 204 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10234This thesis aims to problematize the question of historical imagination in Natalie Zemon Davis. Reputed historian, the North American used the historical imagination constantly in her literary works, to compose gaps, to dialogue directly with her research objects. It attempts to interdisciplinary dialogues, Natalie Zemon Davis dialogued with the anthropology, ethnography, literature and the cinema, and thus, researched about multiple objects, as religion, culture, peasants, workers, women, and others, being knew an eclectic historian in approaches and in research objects. Her most highlighted literary work in the historiography is The return of Martin Guerre (1982), projected internationally and whose question of the historical imagination being a fundamental element. The research process about the case of Martin Guerre put doubly the problem of imagination to Natalie Zemon Davis. First, in the work of the historian as historical consultant in the production of Le retour de Martin Guerre movie and then, in the writing of the book The return of Martin Guerre. This process of an inverse production, first in a movie and then in a book, availed to conclude that the imaginative work in cinema, awakened Natalie Zemon Davis to more attention in the using of imagination in the history writing, permitted, only, in moments of need. To the historian it is possible to use the imaginative resource in the history writing, provided it is so responsibly towards the evidences. In this way, only was possible to reach this conclusion since the moment in what we approach the book and the movie about Martin Guerre as a central axe by what all the discussion about the imagination passed.Esta dissertação teve por objetivo problematizar a questão da imaginação histórica em Natalie Zemon Davis. Historiadora de renome, a norte-americana constantemente utilizou a imaginação histórica em suas obras, seja para compor lacunas, seja para dialogar diretamente com seus objetos de pesquisa. Defensora e praticante da interdisciplinariedade, Natalie Zemon Davis dialogou com a antropologia, a etnografia, a literatura e o cinema, e dessa forma, pesquisou múltiplos objetos, tais como religião, cultura, camponeses, operários, mulheres, e outros, sendo considerada uma historiadora eclética, tanto em abordagens quanto em objetos de pesquisas. Sua obra de maior destaque na historiografia é The return of Martin Guerre (1982), trabalho que alcançou projeção internacional e no qual a questão da imaginação histórica tornou-se elemento fundamental. O processo de investigação sobre o caso de Martin Guerre colocou duplamente o problema da imaginação para Natalie Zemon Davis. Primeiro no trabalho da historiadora como consultora histórica, na produção do filme Le retour de Martin Guerre (1982) e em seguida na escrita do livro The return of Martin Guerre. Esse processo de produção inversa, primeiro em filme e depois em livro, permitiu concluir que o trabalho imaginativo no cinema, despertou em Natalie Zemon Davis maior atenção quanto ao uso da imaginação na escrita da história, sendo permissível somente em momentos de necessidade. Isso colocou para a historiadora, que é possível usar do recurso imaginativo na escrita da história, desde que seja com responsabilidade para com as evidências. Dessa forma, só foi possível chegar a essa conclusão, a partir do momento que abordamos obra e filme sobre Martin Guerre como eixo central pelo qual perpassou toda a discussão sobre a imaginação.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em História (FH)UFGBrasilFaculdade de História - FH (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessNatalie Zemon DavisImaginação históricaEscrita da históriaCinemaHistorical imaginationHistory writingCIENCIAS HUMANAS::HISTORIAHistória e imaginação em Natalie Zemon DavisHistory and imagination in Natalie Zemon Davisinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2839177457274157639600600600600318079220827185643-38409219363320405912075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/cfcaa8d2-cc66-4ab7-8c01-44b63675f1a1/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; 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spellingShingle História e imaginação em Natalie Zemon Davis
Leite, Mayke Rogerio Ferreira
Natalie Zemon Davis
Imaginação histórica
Escrita da história
Cinema
Historical imagination
History writing
CIENCIAS HUMANAS::HISTORIA
status_str publishedVersion
title História e imaginação em Natalie Zemon Davis
title_full História e imaginação em Natalie Zemon Davis
title_fullStr História e imaginação em Natalie Zemon Davis
title_full_unstemmed História e imaginação em Natalie Zemon Davis
title_short História e imaginação em Natalie Zemon Davis
title_sort História e imaginação em Natalie Zemon Davis
topic Natalie Zemon Davis
Imaginação histórica
Escrita da história
Cinema
Historical imagination
History writing
CIENCIAS HUMANAS::HISTORIA
url http://repositorio.bc.ufg.br/tede/handle/tede/10234