A cidade e o cinema [negro]: o caso FESPACO
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|---|---|
| Publication Date: | 2019 |
| Format: | Doctoral thesis |
| Sprog: | por |
| Source: | Repositório Institucional da UFG |
| Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/10037 |
Summary: | This PhD thesis entitled The City and the [Black] Cinema: the FESPACO’s case, it is the result of an writexperience [auto] ethnographic in which I set out to meet one of the largest African film festivals, the FESPACO – Panafrican Film and Television Festival of Ouagadougou – which takes place in Burkina Faso, a country located in West Africa from 1969 to the present day. The work therefore brings the result of this case study and is divided into three parts, respectively: the first on the host city of the ritual, the capital-Ouagadougou; the second about the art of cinema makes (in)visible certain [black] bodies; and the third, properly, about FESPACO, in relation to what was previously presented. In each of these stages of the text, I tried to establish and discuss the possible links between the socio-political and spatial conjuncture that hosts the festival, in relation to this kind of cinema that calls itself (or is called) black. All of this, having as its main reference and starting point my own life experience and place of speech, given the complexity of what was generated from European colonialism. In this sense, in theoretical and methodological terms, and in order to also arouse a discussion about art and society, such writexperience was carried out with the objective of understanding the festival in the light of questions concerning the erasures and the (in)visibilities promoted by knowledge and (in) your production networks. |
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| author | Oliveira, Maíra Zenun Almada de |
| author_browse | Oliveira, Maíra Zenun Almada de |
| author_facet | Oliveira, Maíra Zenun Almada de |
| author_role | author |
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| collection | Repositório Institucional da UFG |
| contributor_str_mv | Vettorassi, Andréa Oliveira, Janaína Pereira de Rios, Flavia Mateus Souza, Edileuza Penha de Santos, Cleito Pereira dos |
| dc.contributor.advisor1.fl_str_mv | Vettorassi, Andréa |
| dc.contributor.advisor1Lattes.fl_str_mv | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4705260T6 |
| dc.contributor.author.fl_str_mv | Oliveira, Maíra Zenun Almada de |
| dc.contributor.authorLattes.fl_str_mv | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4739718T3 |
| dc.contributor.referee1.fl_str_mv | Oliveira, Janaína Pereira de |
| dc.contributor.referee2.fl_str_mv | Rios, Flavia Mateus |
| dc.contributor.referee3.fl_str_mv | Souza, Edileuza Penha de |
| dc.contributor.referee4.fl_str_mv | Santos, Cleito Pereira dos |
| dc.date.accessioned.fl_str_mv | 2019-09-24T12:55:52Z |
| dc.date.issued.fl_str_mv | 2019-04-01 |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.citation.fl_str_mv | OLIVEIRA, Maíra Zenun Almada de. A cidade e o cinema [negro]: o caso FESPACO. 2019. 269 f. Tese (Doutorado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2019. |
| dc.identifier.uri.fl_str_mv | http://repositorio.bc.ufg.br/tede/handle/tede/10037 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.country.fl_str_mv | Brasil |
| dc.publisher.department.fl_str_mv | Faculdade de Ciências Sociais - FCS (RG) |
| dc.publisher.initials.fl_str_mv | UFG |
| dc.publisher.none.fl_str_mv | Universidade Federal de Goiás |
| dc.publisher.program.fl_str_mv | Programa de Pós-graduação em Sociologia (FCS) |
| dc.relation.cnpq.fl_str_mv | -5209249961792775243 |
| dc.relation.confidence.fl_str_mv | 600 600 600 600 |
| dc.relation.department.fl_str_mv | -6965107611713429420 |
| dc.relation.program.fl_str_mv | -9171975222970674468 |
| dc.relation.sponsorship.fl_str_mv | 2075167498588264571 |
| dc.rights.driver.fl_str_mv | http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| dc.subject.cnpq.fl_str_mv | CIENCIAS HUMANAS::SOCIOLOGIA |
| dc.subject.eng.fl_str_mv | Writexperience Black african cinemas Sociology of knowledge Decoloniality of thought FESPACO |
| dc.subject.por.fl_str_mv | Escrevivência Cinemas negros africanos Sociologia do conhecimento Decolonialidade do pensamento FESPACO |
| dc.title.alternative.eng.fl_str_mv | The city and the [black] cinema: the FESPACO’s case |
| dc.title.eng.fl_str_mv | A cidade e o cinema [negro]: o caso FESPACO |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/doctoralThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This PhD thesis entitled The City and the [Black] Cinema: the FESPACO’s case, it is the result of an writexperience [auto] ethnographic in which I set out to meet one of the largest African film festivals, the FESPACO – Panafrican Film and Television Festival of Ouagadougou – which takes place in Burkina Faso, a country located in West Africa from 1969 to the present day. The work therefore brings the result of this case study and is divided into three parts, respectively: the first on the host city of the ritual, the capital-Ouagadougou; the second about the art of cinema makes (in)visible certain [black] bodies; and the third, properly, about FESPACO, in relation to what was previously presented. In each of these stages of the text, I tried to establish and discuss the possible links between the socio-political and spatial conjuncture that hosts the festival, in relation to this kind of cinema that calls itself (or is called) black. All of this, having as its main reference and starting point my own life experience and place of speech, given the complexity of what was generated from European colonialism. In this sense, in theoretical and methodological terms, and in order to also arouse a discussion about art and society, such writexperience was carried out with the objective of understanding the festival in the light of questions concerning the erasures and the (in)visibilities promoted by knowledge and (in) your production networks. |
| eu_rights_str_mv | openAccess |
| format | doctoralThesis |
| id | UFG-2_2b959a47c0f88cf53675b16fe2bb7314 |
| identifier_str_mv | OLIVEIRA, Maíra Zenun Almada de. A cidade e o cinema [negro]: o caso FESPACO. 2019. 269 f. Tese (Doutorado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2019. |
| instacron_str | UFG |
| institution | UFG |
| instname_str | Universidade Federal de Goiás (UFG) |
| language | por |
| network_acronym_str | UFG-2 |
| network_name_str | Repositório Institucional da UFG |
| oai_identifier_str | oai:repositorio.bc.ufg.br:tede/10037 |
| publishDate | 2019 |
| publishDateSort | 2019 |
| publisher.none.fl_str_mv | Universidade Federal de Goiás |
| reponame_str | Repositório Institucional da UFG |
| repository.mail.fl_str_mv | grt.bc@ufg.br |
| repository.name.fl_str_mv | Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
| repository_id_str | oai:repositorio.bc.ufg.br:tede/1234 |
| rights_invalid_str_mv | http://creativecommons.org/licenses/by-nc-nd/4.0/ |
| spelling | Vettorassi, Andréahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4705260T6Oliveira, Janaína Pereira deRios, Flavia MateusSouza, Edileuza Penha deSantos, Cleito Pereira doshttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4739718T3Oliveira, Maíra Zenun Almada de2019-09-24T12:55:52Z2019-04-01OLIVEIRA, Maíra Zenun Almada de. A cidade e o cinema [negro]: o caso FESPACO. 2019. 269 f. Tese (Doutorado em Sociologia) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10037This PhD thesis entitled The City and the [Black] Cinema: the FESPACO’s case, it is the result of an writexperience [auto] ethnographic in which I set out to meet one of the largest African film festivals, the FESPACO – Panafrican Film and Television Festival of Ouagadougou – which takes place in Burkina Faso, a country located in West Africa from 1969 to the present day. The work therefore brings the result of this case study and is divided into three parts, respectively: the first on the host city of the ritual, the capital-Ouagadougou; the second about the art of cinema makes (in)visible certain [black] bodies; and the third, properly, about FESPACO, in relation to what was previously presented. In each of these stages of the text, I tried to establish and discuss the possible links between the socio-political and spatial conjuncture that hosts the festival, in relation to this kind of cinema that calls itself (or is called) black. All of this, having as its main reference and starting point my own life experience and place of speech, given the complexity of what was generated from European colonialism. In this sense, in theoretical and methodological terms, and in order to also arouse a discussion about art and society, such writexperience was carried out with the objective of understanding the festival in the light of questions concerning the erasures and the (in)visibilities promoted by knowledge and (in) your production networks.A presente tese de doutorado, intitulada A Cidade e o Cinema [Negro]: o caso FESPACO, é resultado de uma escrevivência [auto] etnográfica, em que me propus a ir ao encontro de um dos maiores festivais de cinema africano, o FESPACO – Festival Pan-Africano de Cinema e Televisãode Ouagadougou –, que acontece em Burkina Faso, país localizado na África Ocidental, desde 1969 até os dias de hoje. O trabalho traz, portanto, o resultado deste estudo de caso e está dividido em três partes, respectivamente: a primeira sobre a cidade-sede do ritual, a capital-Ouagadougou; a segunda sobre a arte do cinema de torna (in)visível determinados corpos [negros]; e a terceira, propriamente, sobre o FESPACO, em relação ao que foi apresentado anteriormente. Em cada uma dessas etapas do texto, procurei estabelecer e discorrer sobre os possíveis elos de ligação entre a conjuntura sócio política e espacial que acolhe o festival, em relação a este tipo de cinema que se [auto] intitula (ou é chamado de) negro. Tudo isso, tendo como principal referência e ponto de partida a minha própria experiência de vida e lugar de fala, diante da complexidade do que foi gerado a partir do colonialismo europeu. Neste sentido, em termos teórico-metodológicos, e a fim de suscitar também uma discussão sobre arte e sociedade, tal escrevivência foi realizada com o objetivo de compreender o festival à luz de questões referentes aos apagamentos a às (in)visibilidades promovidas pelo conhecimento e(m) suas redes de produção.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Sociologia (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessEscrevivênciaCinemas negros africanosSociologia do conhecimentoDecolonialidade do pensamentoFESPACOWritexperienceBlack african cinemasSociology of knowledgeDecoloniality of thoughtFESPACOCIENCIAS HUMANAS::SOCIOLOGIAA cidade e o cinema [negro]: o caso FESPACOThe city and the [black] cinema: the FESPACO’s caseinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-9171975222970674468600600600600-6965107611713429420-52092499617927752432075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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| spellingShingle | A cidade e o cinema [negro]: o caso FESPACO Oliveira, Maíra Zenun Almada de Escrevivência Cinemas negros africanos Sociologia do conhecimento Decolonialidade do pensamento FESPACO Writexperience Black african cinemas Sociology of knowledge Decoloniality of thought FESPACO CIENCIAS HUMANAS::SOCIOLOGIA |
| status_str | publishedVersion |
| title | A cidade e o cinema [negro]: o caso FESPACO |
| title_full | A cidade e o cinema [negro]: o caso FESPACO |
| title_fullStr | A cidade e o cinema [negro]: o caso FESPACO |
| title_full_unstemmed | A cidade e o cinema [negro]: o caso FESPACO |
| title_short | A cidade e o cinema [negro]: o caso FESPACO |
| title_sort | A cidade e o cinema [negro]: o caso FESPACO |
| topic | Escrevivência Cinemas negros africanos Sociologia do conhecimento Decolonialidade do pensamento FESPACO Writexperience Black african cinemas Sociology of knowledge Decoloniality of thought FESPACO CIENCIAS HUMANAS::SOCIOLOGIA |
| url | http://repositorio.bc.ufg.br/tede/handle/tede/10037 |