“O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral
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| Publication Date: | 2019 |
| Format: | Doctoral thesis |
| Language: | por |
| Source: | Repositório Institucional da UFG |
| Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/9664 |
Summary: | In order to investigate the representation of the world in poetry, from the human figure, having as corpus poems by Cesário Verde (1855-1886) and João Cabral de Melo Neto (1920-1999), based on studies of mimesis and heroism in modernity, from theories such as Nelson Goodman’s exemplification and the modern hero from the perspective of Charles Baudelaire (1821-1867), Walter Benjamin (1892-1940) and Marshall Berman (1940-2013), we selected works whose reference point is anchored in the relationship between poetry and things, with a special focus on the national heroes who pass through the poetics of both authors. It is known that João Cabral establishes a productive dialogue with the portuguese poetic tradition. That dialogue is marked by distances and approximations. It is remarkable his admiration for portuguese writers such as Camilo Castelo Branco (1825-1890), Camilo Pessanha (1867-1926), Vitorino Nemésio (1901- 1978), Miguel Torga (1907-1995), Sophia de Mello Breyner Andresen (1919-2004), among others. However, his favorite writer is Cesário Verde – to the detriment of Fernando Pessoa, the great portuguese poet, acclaimed in several countries. In cesário Verde, the brazilian poet admires the way he incorporates the world to his poetry. Without embarking on abstractionism and exacerbated lyricism, Cesário Verde observes reality and incorporates it into the poem from analysis and creative imagination, giving rise to a poetry marked by the approximation of two images: the real and the imagined. Through that resource the portuguese poet denounces the injustices of his time concomitante with the appreciation he reveals for the poor and marginalized workers – the heroes of his poetry – thus reconfiguring the realism of the nineteenth century. João Cabral also chose as heroes the farmworkers who often migrate to the city in search of better living conditions, but they end up find the same reality. They are socially excluded individuals who live the challenge – conscious or not – of surviving in an extremely unequal society. To portray them, the poet brings them closer to the natural landscape and incorporates them into the text in order to “give to see” this reality from the language himself. In fact, in João Cabral the representation of the world in poetry takes place through samples constituted from disparate elements but that share some properties among themselves. The images constructed from this technique reveal that both tha author of O Sentimento dum Ocidental and that of O Cão sem Pluma, respectively, think the representation of the world in poetry not from the idea of imitation,of copy, but of the creation of a reality that, in part, resembles the “sensible real”, functioning as a sample of the world of which it speaks. Thus, the reconfiguration of epic heroism comes from the focus of the marginalized man, devoid of the aura, given to his own luck. This hero figure is an indicator of the modernity of Cesário Verde in Portugal and the way in which João Cabral turns to the human figure of the Northeastern region, but now in a key diferente from the regionalismo of 1930, because in a formally tense language. |
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| author | Oliveira, Maria Aparecida Barros de |
| author_browse | Oliveira, Maria Aparecida Barros de |
| author_facet | Oliveira, Maria Aparecida Barros de |
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| collection | Repositório Institucional da UFG |
| contributor_str_mv | Yokozawa, Solange Fiuza Cardoso Yokozawa, Solange Fiuza Cardoso Saraiva, Arnaldo Pessoa, Silvana Paula, Marcelo Ferraz de Canedo, Rogério |
| dc.contributor.advisor1.fl_str_mv | Yokozawa, Solange Fiuza Cardoso |
| dc.contributor.advisor1Lattes.fl_str_mv | http://lattes.cnpq.br/5485415308754463 |
| dc.contributor.author.fl_str_mv | Oliveira, Maria Aparecida Barros de |
| dc.contributor.authorLattes.fl_str_mv | http://lattes.cnpq.br/8742959462843319 |
| dc.contributor.referee1.fl_str_mv | Yokozawa, Solange Fiuza Cardoso |
| dc.contributor.referee2.fl_str_mv | Saraiva, Arnaldo |
| dc.contributor.referee3.fl_str_mv | Pessoa, Silvana |
| dc.contributor.referee4.fl_str_mv | Paula, Marcelo Ferraz de |
| dc.contributor.referee5.fl_str_mv | Canedo, Rogério |
| dc.date.accessioned.fl_str_mv | 2019-05-31T14:38:14Z |
| dc.date.issued.fl_str_mv | 2019-04-15 |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.citation.fl_str_mv | OLIVEIRA, Maria Aparecida Barros de. “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral. 2019. 211. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019. |
| dc.identifier.uri.fl_str_mv | http://repositorio.bc.ufg.br/tede/handle/tede/9664 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.country.fl_str_mv | Brasil |
| dc.publisher.department.fl_str_mv | Faculdade de Letras - FL (RG) |
| dc.publisher.initials.fl_str_mv | UFG |
| dc.publisher.none.fl_str_mv | Universidade Federal de Goiás |
| dc.publisher.program.fl_str_mv | Programa de Pós-graduação em Letras e Linguística (FL) |
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| dc.relation.sponsorship.fl_str_mv | 2075167498588264571 |
| dc.rights.driver.fl_str_mv | http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| dc.subject.cnpq.fl_str_mv | LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
| dc.subject.eng.fl_str_mv | Modern and contemporary poetries Human figures Heroes |
| dc.subject.por.fl_str_mv | Poesias moderna e contemporânea Figurações do humano Heróis Cesário Verde João Cabral |
| dc.title.eng.fl_str_mv | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/doctoralThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | In order to investigate the representation of the world in poetry, from the human figure, having as corpus poems by Cesário Verde (1855-1886) and João Cabral de Melo Neto (1920-1999), based on studies of mimesis and heroism in modernity, from theories such as Nelson Goodman’s exemplification and the modern hero from the perspective of Charles Baudelaire (1821-1867), Walter Benjamin (1892-1940) and Marshall Berman (1940-2013), we selected works whose reference point is anchored in the relationship between poetry and things, with a special focus on the national heroes who pass through the poetics of both authors. It is known that João Cabral establishes a productive dialogue with the portuguese poetic tradition. That dialogue is marked by distances and approximations. It is remarkable his admiration for portuguese writers such as Camilo Castelo Branco (1825-1890), Camilo Pessanha (1867-1926), Vitorino Nemésio (1901- 1978), Miguel Torga (1907-1995), Sophia de Mello Breyner Andresen (1919-2004), among others. However, his favorite writer is Cesário Verde – to the detriment of Fernando Pessoa, the great portuguese poet, acclaimed in several countries. In cesário Verde, the brazilian poet admires the way he incorporates the world to his poetry. Without embarking on abstractionism and exacerbated lyricism, Cesário Verde observes reality and incorporates it into the poem from analysis and creative imagination, giving rise to a poetry marked by the approximation of two images: the real and the imagined. Through that resource the portuguese poet denounces the injustices of his time concomitante with the appreciation he reveals for the poor and marginalized workers – the heroes of his poetry – thus reconfiguring the realism of the nineteenth century. João Cabral also chose as heroes the farmworkers who often migrate to the city in search of better living conditions, but they end up find the same reality. They are socially excluded individuals who live the challenge – conscious or not – of surviving in an extremely unequal society. To portray them, the poet brings them closer to the natural landscape and incorporates them into the text in order to “give to see” this reality from the language himself. In fact, in João Cabral the representation of the world in poetry takes place through samples constituted from disparate elements but that share some properties among themselves. The images constructed from this technique reveal that both tha author of O Sentimento dum Ocidental and that of O Cão sem Pluma, respectively, think the representation of the world in poetry not from the idea of imitation,of copy, but of the creation of a reality that, in part, resembles the “sensible real”, functioning as a sample of the world of which it speaks. Thus, the reconfiguration of epic heroism comes from the focus of the marginalized man, devoid of the aura, given to his own luck. This hero figure is an indicator of the modernity of Cesário Verde in Portugal and the way in which João Cabral turns to the human figure of the Northeastern region, but now in a key diferente from the regionalismo of 1930, because in a formally tense language. |
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| format | doctoralThesis |
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| identifier_str_mv | OLIVEIRA, Maria Aparecida Barros de. “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral. 2019. 211. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019. |
| instacron_str | UFG |
| institution | UFG |
| instname_str | Universidade Federal de Goiás (UFG) |
| language | por |
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| publishDate | 2019 |
| publishDateSort | 2019 |
| publisher.none.fl_str_mv | Universidade Federal de Goiás |
| reponame_str | Repositório Institucional da UFG |
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| repository.name.fl_str_mv | Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
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| spelling | Yokozawa, Solange Fiuza Cardosohttp://lattes.cnpq.br/5485415308754463Yokozawa, Solange Fiuza CardosoSaraiva, ArnaldoPessoa, SilvanaPaula, Marcelo Ferraz deCanedo, Rogériohttp://lattes.cnpq.br/8742959462843319Oliveira, Maria Aparecida Barros de2019-05-31T14:38:14Z2019-04-15OLIVEIRA, Maria Aparecida Barros de. “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral. 2019. 211. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9664In order to investigate the representation of the world in poetry, from the human figure, having as corpus poems by Cesário Verde (1855-1886) and João Cabral de Melo Neto (1920-1999), based on studies of mimesis and heroism in modernity, from theories such as Nelson Goodman’s exemplification and the modern hero from the perspective of Charles Baudelaire (1821-1867), Walter Benjamin (1892-1940) and Marshall Berman (1940-2013), we selected works whose reference point is anchored in the relationship between poetry and things, with a special focus on the national heroes who pass through the poetics of both authors. It is known that João Cabral establishes a productive dialogue with the portuguese poetic tradition. That dialogue is marked by distances and approximations. It is remarkable his admiration for portuguese writers such as Camilo Castelo Branco (1825-1890), Camilo Pessanha (1867-1926), Vitorino Nemésio (1901- 1978), Miguel Torga (1907-1995), Sophia de Mello Breyner Andresen (1919-2004), among others. However, his favorite writer is Cesário Verde – to the detriment of Fernando Pessoa, the great portuguese poet, acclaimed in several countries. In cesário Verde, the brazilian poet admires the way he incorporates the world to his poetry. Without embarking on abstractionism and exacerbated lyricism, Cesário Verde observes reality and incorporates it into the poem from analysis and creative imagination, giving rise to a poetry marked by the approximation of two images: the real and the imagined. Through that resource the portuguese poet denounces the injustices of his time concomitante with the appreciation he reveals for the poor and marginalized workers – the heroes of his poetry – thus reconfiguring the realism of the nineteenth century. João Cabral also chose as heroes the farmworkers who often migrate to the city in search of better living conditions, but they end up find the same reality. They are socially excluded individuals who live the challenge – conscious or not – of surviving in an extremely unequal society. To portray them, the poet brings them closer to the natural landscape and incorporates them into the text in order to “give to see” this reality from the language himself. In fact, in João Cabral the representation of the world in poetry takes place through samples constituted from disparate elements but that share some properties among themselves. The images constructed from this technique reveal that both tha author of O Sentimento dum Ocidental and that of O Cão sem Pluma, respectively, think the representation of the world in poetry not from the idea of imitation,of copy, but of the creation of a reality that, in part, resembles the “sensible real”, functioning as a sample of the world of which it speaks. Thus, the reconfiguration of epic heroism comes from the focus of the marginalized man, devoid of the aura, given to his own luck. This hero figure is an indicator of the modernity of Cesário Verde in Portugal and the way in which João Cabral turns to the human figure of the Northeastern region, but now in a key diferente from the regionalismo of 1930, because in a formally tense language.Com o intuito de investigar a representação do mundo em poesia, a partir da figuração do humano, tendo como corpus poemas de Cesário Verde (1855-1886) e João Cabral de Melo Neto (1920- 1999), e com base em estudos sobre a mímesis e heroísmo na modernidade, a partir de teorias como a exemplificação, de Nelson Goodman, e o herói moderno sob a perspectiva de Charles Baudelaire (1821-1867), Walter Benjamin (1892-1940) e Marshall Berman (1940-2013), selecionamos obras cujo referencial ancora-se na relação entre a poesia e as coisas, com enfoque especial nos heróis nacionais que transitam na poética de ambos os autores. Sabe-se que João Cabral estabelece um diálogo produtivo com a tradição poética portuguesa. Diálogo esse assinalado por distanciamentos e aproximações. É notável sua admiração por escritores portugueses como Camilo Castelo Branco (1825-1890), Camilo Pessanha (1867-1926), Vitorino Nemésio (1901-1978), Miguel Torga (1907-1995), Sophia de Mello Breyner Andresen (1919- 2004), dentre outros. Todavia, seu escritor predileto é Cesário Verde – em detrimento de Fernando Pessoa, o grande poeta português, aclamado em vários países. Em Cesário Verde o poeta brasileiro admira o modo como aquele incorpora o mundo à sua poesia. Sem mergulhar no abstracionismo e no lirismo exacerbado, Cesário Verde observa a realidade e a incorpora ao poema a partir da análise e da imaginação criadora, fazendo surgir uma poesia assinalada pela aproximação de duas imagens: a real e a imaginada. Por meio desse recurso o poeta português denuncia as injustiças de seu tempo concomitante ao apreço que revela pelos trabalhadores pobres e marginalizados - os heróis de sua poesia-, reconfigurando, assim, o realismo do século XIX. Também João Cabral elege como heróis os trabalhadores do campo que muitas vezes migram para a cidade em busca de melhores condições de vida, mas acabam encontrando a mesma realidade. São indivíduos excluídos socialmente que vivem o desafio - consciente ou não - de sobreviver em uma sociedade extremamente desigual. Para retratá-los o poeta aproxima-os da paisagem natural e incorpora-os ao texto de forma a “dar a ver” essa realidade a partir da própria linguagem. Aliás, em João Cabral a representação do mundo em poesia se dá por meio de amostras constituídas a partir de elementos díspares, mas que partilham entre si algumas propriedades. As imagens construídas a partir dessa técnica revelam que tanto o autor de O Sentimento dum Ocidental quanto o de O Cão sem Plumas, respectivamente, pensam a representação do mundo em poesia não a partir da ideia de imitação, de cópia, mas da criação de uma realidade que, em parte, se assemelha ao “real sensível”, funcionando como uma amostra do mundo de que fala. Assim, a reconfiguração do heroísmo épico se dá a partir do enfoque no homem marginalizado, destituído da aura, entregue à sua própria sorte. Essa figuração do herói é um indicador da modernidade de Cesário Verde em Portugal e do modo como João Cabral volta-se para a figuração humana da região nordestina, mas agora numa clave diversa do regionalismo de 1930, pois numa linguagem formalmente tensa.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPoesias moderna e contemporâneaFigurações do humanoHeróisCesário VerdeJoão CabralModern and contemporary poetriesHuman figuresHeroesLINGUISTICA, LETRAS E ARTES::LINGUISTICA“O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabralinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1403758209736362229600600600600-541785070467807298879552599547855107832075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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| spellingShingle | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral Oliveira, Maria Aparecida Barros de Poesias moderna e contemporânea Figurações do humano Heróis Cesário Verde João Cabral Modern and contemporary poetries Human figures Heroes LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
| status_str | publishedVersion |
| title | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| title_full | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| title_fullStr | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| title_full_unstemmed | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| title_short | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| title_sort | “O sim contra o sim”: figurações do humano na poesia de Cesário Verde e João Cabral |
| topic | Poesias moderna e contemporânea Figurações do humano Heróis Cesário Verde João Cabral Modern and contemporary poetries Human figures Heroes LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
| url | http://repositorio.bc.ufg.br/tede/handle/tede/9664 |