Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett
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| 第一著者: | |
|---|---|
| 出版日付: | 2017 |
| フォーマット: | Master thesis |
| 言語: | por |
| ソース: | Repositório Comum do Brasil - Deposita |
| Download full: | https://deposita.ibict.br/handle/deposita/453 |
要約: | This research addresses the influence of the romance on the drama Happy Days by Samuel Beckett. Thus, it adopts a dialectic perspective, which debates the contagion of genres in the modernity, with predominance of romance. Therefore, the romance is understood as predominant, assimilated by Happy Days. More specifically, the narrative voice of the main character is listed as an epic manifestation in scene. It is highlighted as the theatrical paralyses resulted of actions that are delivered and occur in an insular subjectivity; displayed in emphasis in relation to the other characters. These are characteristics which, commonly, belong to the modern drama. However, to the analyses of the target, this study claims a broader approximation with the romance theory. Consequently, it is also aimed to analyze theatrical phenomena, odd to the classic tragedy, such as Romanesque manifestations, mainly originated by the rupture of the subject and the object. In this way, Happy Days was examined by means of the subjective displacements of its main character, as well as the reorganization of her memories. |
| _version_ | 1872168160043466752 |
|---|---|
| author | Ferreira, Gleydson André da Silva |
| author_browse | Ferreira, Gleydson André da Silva |
| author_facet | Ferreira, Gleydson André da Silva |
| author_role | author |
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| collection | Repositório Comum do Brasil - Deposita |
| contributor_str_mv | Maciel, Emílio Carlos Roscoe Avila, Myriam Correa de Araujo Galery, Maria Clara Versiani |
| dc.contributor.advisor1.fl_str_mv | Maciel, Emílio Carlos Roscoe |
| dc.contributor.advisor1Lattes.fl_str_mv | http://lattes.cnpq.br/9910143426977882 |
| dc.contributor.author.fl_str_mv | Ferreira, Gleydson André da Silva |
| dc.contributor.authorLattes.fl_str_mv | https://lattes.cnpq.br/0110732057768188 |
| dc.contributor.referee1.fl_str_mv | Avila, Myriam Correa de Araujo |
| dc.contributor.referee1Lattes.fl_str_mv | http://lattes.cnpq.br/9844832726033883 |
| dc.contributor.referee2.fl_str_mv | Galery, Maria Clara Versiani |
| dc.contributor.referee2Lattes.fl_str_mv | http://lattes.cnpq.br/0676891497774362 |
| dc.creator.ID.none.fl_str_mv | |
| dc.date.accessioned.fl_str_mv | 2023-11-22T19:22:03Z |
| dc.date.issued.fl_str_mv | 2017 |
| dc.format.none.fl_str_mv | application/pdf application/pdf |
| dc.identifier.uri.fl_str_mv | https://deposita.ibict.br/handle/deposita/453 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.country.fl_str_mv | Brasil |
| dc.publisher.department.fl_str_mv | Instituto de Ciências Humanas e Sociais (ICHS) |
| dc.publisher.none.fl_str_mv | Universidade Federal de Ouro Preto |
| dc.publisher.program.fl_str_mv | Programa de Pós-Graduação em Letras: Estudos da Linguagem |
| dc.rights.driver.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Comum do Brasil - Deposita instname:Instituto Brasileiro de Informação em Ciência e Tecnologia (Ibict) instacron:IBICT |
| dc.subject.cnpq.fl_str_mv | Linguística, Letras e Artes |
| dc.subject.por.fl_str_mv | Drama moderno Contágios dos gêneros Memória Cultural |
| dc.title.alternative.eng.fl_str_mv | Craving emptiness: reflexivity and negativity in Happy days by Samuel Beckett |
| dc.title.por.fl_str_mv | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/masterThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This research addresses the influence of the romance on the drama Happy Days by Samuel Beckett. Thus, it adopts a dialectic perspective, which debates the contagion of genres in the modernity, with predominance of romance. Therefore, the romance is understood as predominant, assimilated by Happy Days. More specifically, the narrative voice of the main character is listed as an epic manifestation in scene. It is highlighted as the theatrical paralyses resulted of actions that are delivered and occur in an insular subjectivity; displayed in emphasis in relation to the other characters. These are characteristics which, commonly, belong to the modern drama. However, to the analyses of the target, this study claims a broader approximation with the romance theory. Consequently, it is also aimed to analyze theatrical phenomena, odd to the classic tragedy, such as Romanesque manifestations, mainly originated by the rupture of the subject and the object. In this way, Happy Days was examined by means of the subjective displacements of its main character, as well as the reorganization of her memories. |
| eu_rights_str_mv | openAccess |
| format | masterThesis |
| id | IBICT-1_3ff84c0b141e2bde7766fd895a787e9c |
| instacron_str | IBICT |
| institution | IBICT |
| instname_str | Instituto Brasileiro de Informação em Ciência e Tecnologia (Ibict) |
| language | por |
| network_acronym_str | IBICT-1 |
| network_name_str | Repositório Comum do Brasil - Deposita |
| oai_identifier_str | oai:deposita.ibict.br:deposita/453 |
| publishDate | 2017 |
| publishDateSort | 2017 |
| publisher.none.fl_str_mv | Universidade Federal de Ouro Preto |
| reponame_str | Repositório Comum do Brasil - Deposita |
| repository.mail.fl_str_mv | deposita@ibict.br |
| repository.name.fl_str_mv | Repositório Comum do Brasil - Deposita - Instituto Brasileiro de Informação em Ciência e Tecnologia (Ibict) |
| repository_id_str | 4658 |
| spelling | Maciel, Emílio Carlos Roscoehttp://lattes.cnpq.br/9910143426977882Avila, Myriam Correa de Araujohttp://lattes.cnpq.br/9844832726033883Galery, Maria Clara Versianihttp://lattes.cnpq.br/0676891497774362https://lattes.cnpq.br/0110732057768188Ferreira, Gleydson André da Silva2023-11-22T19:22:03Z2017https://deposita.ibict.br/handle/deposita/453This research addresses the influence of the romance on the drama Happy Days by Samuel Beckett. Thus, it adopts a dialectic perspective, which debates the contagion of genres in the modernity, with predominance of romance. Therefore, the romance is understood as predominant, assimilated by Happy Days. More specifically, the narrative voice of the main character is listed as an epic manifestation in scene. It is highlighted as the theatrical paralyses resulted of actions that are delivered and occur in an insular subjectivity; displayed in emphasis in relation to the other characters. These are characteristics which, commonly, belong to the modern drama. However, to the analyses of the target, this study claims a broader approximation with the romance theory. Consequently, it is also aimed to analyze theatrical phenomena, odd to the classic tragedy, such as Romanesque manifestations, mainly originated by the rupture of the subject and the object. In this way, Happy Days was examined by means of the subjective displacements of its main character, as well as the reorganization of her memories.A presente pesquisa trata da influência do romance sobre o drama Dias felizes de Samuel Beckett. Para tanto, adota uma perspectiva dialética, que debate o contágio dos gêneros na modernidade, com a prevalência do romance. O romance é tomado, pois, como dominante, assimilado por Dias felizes. Mais especificamente, elenca-se a voz narrativa da protagonista como manifestação épica em cena. Destaca-se, assim, como a paralisia cênica decorre de ações que partem e ocorrem em uma subjetividade isolada; posta em destaque em relação às outras personagens. Características que, em linhas gerais, pertencem ao drama moderno. Todavia, para a análise de seu objeto, este estudo propôs uma maior aproximação com a teoria do romance. Objetivou-se, por conseguinte, analisar fenômenos cênicos, estranhos à tragédia clássica, como manifestações romanescas, advindos sobretudo da cisão entre sujeito e objeto. Por essa via, Dias felizes foi examinado por meio dos deslocamentos subjetivos de sua protagonista, bem como pelo rearranjo de suas memórias.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)Sudeste-1application/pdfapplication/pdfporUniversidade Federal de Ouro PretoPrograma de Pós-Graduação em Letras: Estudos da LinguagemBrasilInstituto de Ciências Humanas e Sociais (ICHS)Drama modernoContágios dos gênerosMemória CulturalLinguística, Letras e ArtesVazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel BeckettCraving emptiness: reflexivity and negativity in Happy days by Samuel Beckettinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Comum do Brasil - Depositainstname:Instituto Brasileiro de Informação em Ciência e Tecnologia (Ibict)instacron:IBICTTEXTDISSERTAÇÃO_VazioÁvidoNegatividade.pdf.txtWritten by FormatFilter org.dspace.app.mediafilter.TikaTextExtractionFilter on 2025-06-06T20:17:05Z (GMT).Extracted texttext/plain103121https://deposita.ibict.br/bitstreams/27c131ee-f30c-41a5-aa5f-98433e606294/download096bf91dcf63cb607c110c13b79b72d3MD53falseAnonymousREADTHUMBNAILDISSERTAÇÃO_VazioÁvidoNegatividade.pdf.jpgWritten by FormatFilter org.dspace.app.mediafilter.PDFBoxThumbnail on 2025-06-06T20:17:05Z (GMT).Generated Thumbnailimage/jpeg2305https://deposita.ibict.br/bitstreams/732af904-c148-4761-91ab-1aca8df971b1/download1b7405c9b559d460a16749249174514cMD54falseAnonymousREADLICENSElicense.txtWritten by org.dspace.content.LicenseUtilstext/plain; charset=utf-81867https://deposita.ibict.br/bitstreams/4f46add5-e1e2-4df4-81d3-9a1c88f2ab04/downloada7c148eec59885ba1ba6d14692be8465MD51falseAnonymousREADORIGINALDISSERTAÇÃO_VazioÁvidoNegatividade.pdf/dspace/deposita/upload/DISSERTAÇÃO_VazioÁvidoNegatividade.pdfDissertação pdfapplication/pdf867413https://deposita.ibict.br/bitstreams/1c2d0be0-167f-45d3-85e9-b7512a226f65/download6a286f9b309b01b0173e96df241b8a9cMD52trueAnonymousREADdeposita/4532026-03-20T17:40:36.217678Zopen.accessoai:deposita.ibict.br:deposita/453https://deposita.ibict.brRepositório ComumPUBhttp://deposita.ibict.br/oai/requestdeposita@ibict.bropendoar:46582026-03-20T17:40:36Repositório Comum do Brasil - Deposita - Instituto Brasileiro de Informação em Ciência e Tecnologia (Ibict)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 |
| spellingShingle | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett Ferreira, Gleydson André da Silva Drama moderno Contágios dos gêneros Memória Cultural Linguística, Letras e Artes |
| status_str | publishedVersion |
| title | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| title_full | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| title_fullStr | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| title_full_unstemmed | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| title_short | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| title_sort | Vazio Ávido: negatividade e autorreflexividade em Dias felizes, de Samuel Beckett |
| topic | Drama moderno Contágios dos gêneros Memória Cultural Linguística, Letras e Artes |
| url | https://deposita.ibict.br/handle/deposita/453 |