Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres

Bibliographic Details
Main Author: Preto Souza, Alisson
Publication Date: 2020
Other Authors: Alves, Elisa Hübner
Format: Article
Language: por
Source: Travessias (Cascavel. Online)
Download full: https://e-revista.unioeste.br/index.php/travessias/article/view/25518
Summary: Regarded as a study about minorities, Vidas Secas, by Graciliano Ramos, and Essa Terra, by Antônio Torres were compared seeking to comprehend the oppression of the northeast Brazilians’ identity. For this research, we read theories of representation of Hall (2006) and Cassirer (1992); the literary study Temposfuturos of Reis (2012); the study about the fiction and history of Brazil’s draught of Scoville (2011); the definition of counterculture proposed by Pereira (1986); and, at last, the identitary questions in Torre’s fiction of Preto-Souza (2019). Using images left in the cannon such as the draught and the poverty of Vidas Secas, the fiction of Torres can be understood as countercultural, as it problematizes the current system and the political status quo of the hinterland at the end of the 20th century. The work’s results showed that, while Graciliano bets on the silence and the draught, converging to the formation of the northeast Brazilian’s mythology and denouncing the political corruption and the institutional abandonment, Torres highlights the forgetfulness of the northeast cultural identity, among other social problems like xenophobia and exile related to the them.
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spelling Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio TorresAbandono social, injustiça e esquecimento: identidade nordestina e o sertão nas obras de Antônio Torres e Graciliano RamosHinterlandGraciliano RamosAntônio TorresNortheast Brazilian.SertãoGraciliano RamosAntônio TorresNordestinoRegarded as a study about minorities, Vidas Secas, by Graciliano Ramos, and Essa Terra, by Antônio Torres were compared seeking to comprehend the oppression of the northeast Brazilians’ identity. For this research, we read theories of representation of Hall (2006) and Cassirer (1992); the literary study Temposfuturos of Reis (2012); the study about the fiction and history of Brazil’s draught of Scoville (2011); the definition of counterculture proposed by Pereira (1986); and, at last, the identitary questions in Torre’s fiction of Preto-Souza (2019). Using images left in the cannon such as the draught and the poverty of Vidas Secas, the fiction of Torres can be understood as countercultural, as it problematizes the current system and the political status quo of the hinterland at the end of the 20th century. The work’s results showed that, while Graciliano bets on the silence and the draught, converging to the formation of the northeast Brazilian’s mythology and denouncing the political corruption and the institutional abandonment, Torres highlights the forgetfulness of the northeast cultural identity, among other social problems like xenophobia and exile related to the them.Tratando-se de um estudo de minorias, compararam-se as obras Vidas Secas (1938), de Graciliano Ramos, e Essa Terra (1976), de Antônio Torres, para compreender a opressão na identidade nordestina. Para tal, leram-se as teorias de representação em Hall (2006) e Cassirer (1992); o estudo literário Temposfuturos, de Reis (2012); o estudo sobre a ficção e história da seca em Scoville (2011); a definição de contracultura proposta por Pereira (1986); e, por fim, as questões identitárias em Torres, de Preto Souza (2019). Bebendo de imagens comuns à seca e à pobreza no cânone em Vidas Secas, a narrativa de Torres pode ser entendida como contracultura à medida que põe em xeque o sistema vigente e o quadro político do sertão no fim do século XX. Constatou-se que, enquanto Graciliano aposta no emudecimento e na seca, confluindo para a formação da mitologia nordestina e para a denúncia da injustiça e do abandono institucional, Torres destaca o esquecimento da identidade cultural do povo nordestino, dentre outros problemas sociais como a xenofobia e o exílio interno ligado a eles.Unioeste2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/vnd.openxmlformats-officedocument.wordprocessingml.documentapplication/octet-streamhttps://e-revista.unioeste.br/index.php/travessias/article/view/2551810.48075/rt.v14i2.25518Travessias; Vol. 14 No. 2 (2020); e25518Travessias; Vol. 14 Núm. 2 (2020); e25518Travessias; v. 14 n. 2 (2020); e255181982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/25518/16134https://e-revista.unioeste.br/index.php/travessias/article/view/25518/19541https://e-revista.unioeste.br/index.php/travessias/article/view/25518/19542Copyright (c) 2020 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessPreto Souza, AlissonAlves, Elisa Hübner2022-06-03T12:51:10Zoai:ojs.e-revista.unioeste.br:article/25518Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2022-06-03T12:51:10Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
Abandono social, injustiça e esquecimento: identidade nordestina e o sertão nas obras de Antônio Torres e Graciliano Ramos
title Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
spellingShingle Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
Preto Souza, Alisson
Hinterland
Graciliano Ramos
Antônio Torres
Northeast Brazilian.
Sertão
Graciliano Ramos
Antônio Torres
Nordestino
title_short Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
title_full Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
title_fullStr Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
title_full_unstemmed Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
title_sort Social abandonment, injustice and forgetfulness: the northeast brazilian’s identity and the hinterland in the works of Graciliano Ramos and Antônio Torres
author Preto Souza, Alisson
author_facet Preto Souza, Alisson
Alves, Elisa Hübner
author_role author
author2 Alves, Elisa Hübner
author2_role author
dc.contributor.author.fl_str_mv Preto Souza, Alisson
Alves, Elisa Hübner
dc.subject.por.fl_str_mv Hinterland
Graciliano Ramos
Antônio Torres
Northeast Brazilian.
Sertão
Graciliano Ramos
Antônio Torres
Nordestino
topic Hinterland
Graciliano Ramos
Antônio Torres
Northeast Brazilian.
Sertão
Graciliano Ramos
Antônio Torres
Nordestino
description Regarded as a study about minorities, Vidas Secas, by Graciliano Ramos, and Essa Terra, by Antônio Torres were compared seeking to comprehend the oppression of the northeast Brazilians’ identity. For this research, we read theories of representation of Hall (2006) and Cassirer (1992); the literary study Temposfuturos of Reis (2012); the study about the fiction and history of Brazil’s draught of Scoville (2011); the definition of counterculture proposed by Pereira (1986); and, at last, the identitary questions in Torre’s fiction of Preto-Souza (2019). Using images left in the cannon such as the draught and the poverty of Vidas Secas, the fiction of Torres can be understood as countercultural, as it problematizes the current system and the political status quo of the hinterland at the end of the 20th century. The work’s results showed that, while Graciliano bets on the silence and the draught, converging to the formation of the northeast Brazilian’s mythology and denouncing the political corruption and the institutional abandonment, Torres highlights the forgetfulness of the northeast cultural identity, among other social problems like xenophobia and exile related to the them.
publishDate 2020
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dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/25518/16134
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dc.publisher.none.fl_str_mv Unioeste
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dc.source.none.fl_str_mv Travessias; Vol. 14 No. 2 (2020); e25518
Travessias; Vol. 14 Núm. 2 (2020); e25518
Travessias; v. 14 n. 2 (2020); e25518
1982-5935
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