A posição do narrador no romance Ao farol, de Virgínia Woolf
| Main Author: | |
|---|---|
| Publication Date: | 2020 |
| Other Authors: | , |
| Format: | Article |
| Language: | por |
| Source: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
| Download full: | http://www.repositorio.ufc.br/handle/riufc/55427 |
Summary: | When it appeared, the novel occupied the space of a literature that no longer fit the human at that moment, the epic. From the moment that man becomes disenchanted with life, he begins to look for an art that fits his new way of feeling the world. After a brief history of the genre, presenting the author and the work, this article focuses on analyzing the narrator's position in the novel To the lighthouse (1927), by writer Virginia Woolf, according to the essay "The position of the narrator in the novel contemporary "written by the philosopher Theodor W. Adorno. It is public knowledge that Woolf's work was considered innovative by critics. In this perspective, we sought to investigate which features make the novel To the lighthouse so considered, and if such points align it to what Adorno calls contemporary romance. |
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Cherpinski, AdrianeLibanori, Evely VâniaAndrade, Adriana Gomes Cardozo de2020-11-21T01:36:59Z2020-11-21T01:36:59Z2020CHERPINSKI, Adriane; LIBANORI, Evely Vânia; ANDRADE, Adriana Gomes Cardozo de. A posição do narrador no romance Ao farol, de Virgínia Woolf. Revista Entrelaces, Fortaleza, v. 9, n. 21, p. 63-74, ago./out. 2020.2596-2817http://www.repositorio.ufc.br/handle/riufc/55427When it appeared, the novel occupied the space of a literature that no longer fit the human at that moment, the epic. From the moment that man becomes disenchanted with life, he begins to look for an art that fits his new way of feeling the world. After a brief history of the genre, presenting the author and the work, this article focuses on analyzing the narrator's position in the novel To the lighthouse (1927), by writer Virginia Woolf, according to the essay "The position of the narrator in the novel contemporary "written by the philosopher Theodor W. Adorno. It is public knowledge that Woolf's work was considered innovative by critics. In this perspective, we sought to investigate which features make the novel To the lighthouse so considered, and if such points align it to what Adorno calls contemporary romance.Quando surgiu, o romance ocupou o espaço de uma literatura que não cabia mais ao humano, naquele momento, a epopeia. A partir do momento que o homem se desencanta com a vida, ele passa a procurar por uma arte que se adeque ao seu novo modo de sentir o mundo. Após percorrer um breve caminho pela história do gênero, apresentar a autora e a obra, este artigo se debruça em analisar a posição do narrador no romance Ao Farol (1927), da escritora Virgínia Woolf. A proposta de análise se dá a partir da luz do ensaio “A posição do narrador no romance contemporâneo”, escrito pelo filósofo Theodor W. Adorno. É de conhecimento público que o trabalho de Woolf foi considerado inovador pela crítica. Nesta perspectiva, buscou-se investigar quais características fazem com que o romance Ao Farol seja considerado, de fato, uma obra literária romanesca inovadora, e se tais pontos o alinham ao que Adorno denomina romance contemporâneo.Revista EntrelacesNarradorRomanceWoolf, Adeline Virgínia, 1882-1941A posição do narrador no romance Ao farol, de Virgínia WoolfThe narrator's position in Virginia Woolf's novel to the lighthouseinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCLICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/55427/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52ORIGINAL2020_art_acherpinskievlibanori.pdf2020_art_acherpinskievlibanori.pdfapplication/pdf651965http://repositorio.ufc.br/bitstream/riufc/55427/1/2020_art_acherpinskievlibanori.pdf46d2d5b8cc41ad6806469f7dc3276033MD51riufc/554272023-11-17 11:21:36.614oai:repositorio.ufc.br:riufc/55427Tk9URTogUExBQ0UgWU9VUiBPV04gTElDRU5TRSBIRVJFClRoaXMgc2FtcGxlIGxpY2Vuc2UgaXMgcHJvdmlkZWQgZm9yIGluZm9ybWF0aW9uYWwgcHVycG9zZXMgb25seS4KCk5PTi1FWENMVVNJVkUgRElTVFJJQlVUSU9OIExJQ0VOU0UKCkJ5IHNpZ25pbmcgYW5kIHN1Ym1pdHRpbmcgdGhpcyBsaWNlbnNlLCB5b3UgKHRoZSBhdXRob3Iocykgb3IgY29weXJpZ2h0Cm93bmVyKSBncmFudHMgdG8gRFNwYWNlIFVuaXZlcnNpdHkgKERTVSkgdGhlIG5vbi1leGNsdXNpdmUgcmlnaHQgdG8gcmVwcm9kdWNlLAp0cmFuc2xhdGUgKGFzIGRlZmluZWQgYmVsb3cpLCBhbmQvb3IgZGlzdHJpYnV0ZSB5b3VyIHN1Ym1pc3Npb24gKGluY2x1ZGluZwp0aGUgYWJzdHJhY3QpIHdvcmxkd2lkZSBpbiBwcmludCBhbmQgZWxlY3Ryb25pYyBmb3JtYXQgYW5kIGluIGFueSBtZWRpdW0sCmluY2x1ZGluZyBidXQgbm90IGxpbWl0ZWQgdG8gYXVkaW8gb3IgdmlkZW8uCgpZb3UgYWdyZWUgdGhhdCBEU1UgbWF5LCB3aXRob3V0IGNoYW5naW5nIHRoZSBjb250ZW50LCB0cmFuc2xhdGUgdGhlCnN1Ym1pc3Npb24gdG8gYW55IG1lZGl1bSBvciBmb3JtYXQgZm9yIHRoZSBwdXJwb3NlIG9mIHByZXNlcnZhdGlvbi4KCllvdSBhbHNvIGFncmVlIHRoYXQgRFNVIG1heSBrZWVwIG1vcmUgdGhhbiBvbmUgY29weSBvZiB0aGlzIHN1Ym1pc3Npb24gZm9yCnB1cnBvc2VzIG9mIHNlY3VyaXR5LCBiYWNrLXVwIGFuZCBwcmVzZXJ2YXRpb24uCgpZb3UgcmVwcmVzZW50IHRoYXQgdGhlIHN1Ym1pc3Npb24gaXMgeW91ciBvcmlnaW5hbCB3b3JrLCBhbmQgdGhhdCB5b3UgaGF2ZQp0aGUgcmlnaHQgdG8gZ3JhbnQgdGhlIHJpZ2h0cyBjb250YWluZWQgaW4gdGhpcyBsaWNlbnNlLiBZb3UgYWxzbyByZXByZXNlbnQKdGhhdCB5b3VyIHN1Ym1pc3Npb24gZG9lcyBub3QsIHRvIHRoZSBiZXN0IG9mIHlvdXIga25vd2xlZGdlLCBpbmZyaW5nZSB1cG9uCmFueW9uZSdzIGNvcHlyaWdodC4KCklmIHRoZSBzdWJtaXNzaW9uIGNvbnRhaW5zIG1hdGVyaWFsIGZvciB3aGljaCB5b3UgZG8gbm90IGhvbGQgY29weXJpZ2h0LAp5b3UgcmVwcmVzZW50IHRoYXQgeW91IGhhdmUgb2J0YWluZWQgdGhlIHVucmVzdHJpY3RlZCBwZXJtaXNzaW9uIG9mIHRoZQpjb3B5cmlnaHQgb3duZXIgdG8gZ3JhbnQgRFNVIHRoZSByaWdodHMgcmVxdWlyZWQgYnkgdGhpcyBsaWNlbnNlLCBhbmQgdGhhdApzdWNoIHRoaXJkLXBhcnR5IG93bmVkIG1hdGVyaWFsIGlzIGNsZWFybHkgaWRlbnRpZmllZCBhbmQgYWNrbm93bGVkZ2VkCndpdGhpbiB0aGUgdGV4dCBvciBjb250ZW50IG9mIHRoZSBzdWJtaXNzaW9uLgoKSUYgVEhFIFNVQk1JU1NJT04gSVMgQkFTRUQgVVBPTiBXT1JLIFRIQVQgSEFTIEJFRU4gU1BPTlNPUkVEIE9SIFNVUFBPUlRFRApCWSBBTiBBR0VOQ1kgT1IgT1JHQU5JWkFUSU9OIE9USEVSIFRIQU4gRFNVLCBZT1UgUkVQUkVTRU5UIFRIQVQgWU9VIEhBVkUKRlVMRklMTEVEIEFOWSBSSUdIVCBPRiBSRVZJRVcgT1IgT1RIRVIgT0JMSUdBVElPTlMgUkVRVUlSRUQgQlkgU1VDSApDT05UUkFDVCBPUiBBR1JFRU1FTlQuCgpEU1Ugd2lsbCBjbGVhcmx5IGlkZW50aWZ5IHlvdXIgbmFtZShzKSBhcyB0aGUgYXV0aG9yKHMpIG9yIG93bmVyKHMpIG9mIHRoZQpzdWJtaXNzaW9uLCBhbmQgd2lsbCBub3QgbWFrZSBhbnkgYWx0ZXJhdGlvbiwgb3RoZXIgdGhhbiBhcyBhbGxvd2VkIGJ5IHRoaXMKbGljZW5zZSwgdG8geW91ciBzdWJtaXNzaW9uLgo=Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2023-11-17T14:21:36Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
| dc.title.pt_BR.fl_str_mv |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| dc.title.en.pt_BR.fl_str_mv |
The narrator's position in Virginia Woolf's novel to the lighthouse |
| title |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| spellingShingle |
A posição do narrador no romance Ao farol, de Virgínia Woolf Cherpinski, Adriane Narrador Romance Woolf, Adeline Virgínia, 1882-1941 |
| title_short |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| title_full |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| title_fullStr |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| title_full_unstemmed |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| title_sort |
A posição do narrador no romance Ao farol, de Virgínia Woolf |
| author |
Cherpinski, Adriane |
| author_facet |
Cherpinski, Adriane Libanori, Evely Vânia Andrade, Adriana Gomes Cardozo de |
| author_role |
author |
| author2 |
Libanori, Evely Vânia Andrade, Adriana Gomes Cardozo de |
| author2_role |
author author |
| dc.contributor.author.fl_str_mv |
Cherpinski, Adriane Libanori, Evely Vânia Andrade, Adriana Gomes Cardozo de |
| dc.subject.por.fl_str_mv |
Narrador Romance Woolf, Adeline Virgínia, 1882-1941 |
| topic |
Narrador Romance Woolf, Adeline Virgínia, 1882-1941 |
| description |
When it appeared, the novel occupied the space of a literature that no longer fit the human at that moment, the epic. From the moment that man becomes disenchanted with life, he begins to look for an art that fits his new way of feeling the world. After a brief history of the genre, presenting the author and the work, this article focuses on analyzing the narrator's position in the novel To the lighthouse (1927), by writer Virginia Woolf, according to the essay "The position of the narrator in the novel contemporary "written by the philosopher Theodor W. Adorno. It is public knowledge that Woolf's work was considered innovative by critics. In this perspective, we sought to investigate which features make the novel To the lighthouse so considered, and if such points align it to what Adorno calls contemporary romance. |
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2020 |
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2020-11-21T01:36:59Z |
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2020-11-21T01:36:59Z |
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2020 |
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info:eu-repo/semantics/publishedVersion |
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CHERPINSKI, Adriane; LIBANORI, Evely Vânia; ANDRADE, Adriana Gomes Cardozo de. A posição do narrador no romance Ao farol, de Virgínia Woolf. Revista Entrelaces, Fortaleza, v. 9, n. 21, p. 63-74, ago./out. 2020. |
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http://www.repositorio.ufc.br/handle/riufc/55427 |
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2596-2817 |
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CHERPINSKI, Adriane; LIBANORI, Evely Vânia; ANDRADE, Adriana Gomes Cardozo de. A posição do narrador no romance Ao farol, de Virgínia Woolf. Revista Entrelaces, Fortaleza, v. 9, n. 21, p. 63-74, ago./out. 2020. 2596-2817 |
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Revista Entrelaces |
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