A música como arte imitativa: da estética cartesiana à arte de expressar paixões

Bibliographic Details
Main Author: Sahd, Luiz Felipe Netto de Andrade e Silva
Publication Date: 2019
Format: Article
Language: por
Source: Repositório Institucional da Universidade Federal do Ceará (UFC)
Download full: http://www.repositorio.ufc.br/handle/riufc/48708
Summary: The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the “simplicity” and “naturalness” of Pergolesi’s La Serva Padrona comic. In the mid- -1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D’Alembert and Diderot.
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spelling Sahd, Luiz Felipe Netto de Andrade e Silva2019-12-17T17:31:12Z2019-12-17T17:31:12Z2019SAHD, Luiz Felipe Netto de Andrade e Silva. A música como arte imitativa: da estética cartesiana à arte de expressar paixões. Argumentos Revista de Filosofia, Fortaleza, ano 11, n. 22, p. 120-130, jul./dez. 2019.1984-4255http://www.repositorio.ufc.br/handle/riufc/48708The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the “simplicity” and “naturalness” of Pergolesi’s La Serva Padrona comic. In the mid- -1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D’Alembert and Diderot.A Querela dos Bufões, que durou de 1752 a 1754, e colocou a tradição operística francesa contra a italiana serve de pano de fundo para o artigo. Rameau foi acusado de estar ultrapassado, e sua música, de ser complicada demais, em comparação com a “simplicidade” e “naturalidade” da ópera cômica La Serva Padrona, de Pergolesi. Em meados de 1750 Rameau criticou os verbetes sobre música que Rousseau havia escrito para a Encyclopédie, levando a uma disputa com os filósofos D’Alembert e Diderot.Argumentos Revista de FilosofiaMúsicaArte imitativaMelodiaHarmoniaA música como arte imitativa: da estética cartesiana à arte de expressar paixõesMusic as imitative art: from Cartesian aesthetics to the art of expressing passionsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccessORIGINAL2019_art_lfnassahd.pdf2019_art_lfnassahd.pdfapplication/pdf191173http://repositorio.ufc.br/bitstream/riufc/48708/1/2019_art_lfnassahd.pdf2702e6444c601127ef20abbc156e941fMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufc.br/bitstream/riufc/48708/2/license.txt8a4605be74aa9ea9d79846c1fba20a33MD52riufc/487082020-03-13 11:55:01.217oai:repositorio.ufc.br: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Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2020-03-13T14:55:01Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.pt_BR.fl_str_mv A música como arte imitativa: da estética cartesiana à arte de expressar paixões
dc.title.en.pt_BR.fl_str_mv Music as imitative art: from Cartesian aesthetics to the art of expressing passions
title A música como arte imitativa: da estética cartesiana à arte de expressar paixões
spellingShingle A música como arte imitativa: da estética cartesiana à arte de expressar paixões
Sahd, Luiz Felipe Netto de Andrade e Silva
Música
Arte imitativa
Melodia
Harmonia
title_short A música como arte imitativa: da estética cartesiana à arte de expressar paixões
title_full A música como arte imitativa: da estética cartesiana à arte de expressar paixões
title_fullStr A música como arte imitativa: da estética cartesiana à arte de expressar paixões
title_full_unstemmed A música como arte imitativa: da estética cartesiana à arte de expressar paixões
title_sort A música como arte imitativa: da estética cartesiana à arte de expressar paixões
author Sahd, Luiz Felipe Netto de Andrade e Silva
author_facet Sahd, Luiz Felipe Netto de Andrade e Silva
author_role author
dc.contributor.author.fl_str_mv Sahd, Luiz Felipe Netto de Andrade e Silva
dc.subject.por.fl_str_mv Música
Arte imitativa
Melodia
Harmonia
topic Música
Arte imitativa
Melodia
Harmonia
description The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the “simplicity” and “naturalness” of Pergolesi’s La Serva Padrona comic. In the mid- -1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D’Alembert and Diderot.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-12-17T17:31:12Z
dc.date.available.fl_str_mv 2019-12-17T17:31:12Z
dc.date.issued.fl_str_mv 2019
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.citation.fl_str_mv SAHD, Luiz Felipe Netto de Andrade e Silva. A música como arte imitativa: da estética cartesiana à arte de expressar paixões. Argumentos Revista de Filosofia, Fortaleza, ano 11, n. 22, p. 120-130, jul./dez. 2019.
dc.identifier.uri.fl_str_mv http://www.repositorio.ufc.br/handle/riufc/48708
dc.identifier.issn.none.fl_str_mv 1984-4255
identifier_str_mv SAHD, Luiz Felipe Netto de Andrade e Silva. A música como arte imitativa: da estética cartesiana à arte de expressar paixões. Argumentos Revista de Filosofia, Fortaleza, ano 11, n. 22, p. 120-130, jul./dez. 2019.
1984-4255
url http://www.repositorio.ufc.br/handle/riufc/48708
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Argumentos Revista de Filosofia
publisher.none.fl_str_mv Argumentos Revista de Filosofia
dc.source.none.fl_str_mv reponame:Repositório Institucional da Universidade Federal do Ceará (UFC)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Repositório Institucional da Universidade Federal do Ceará (UFC)
collection Repositório Institucional da Universidade Federal do Ceará (UFC)
bitstream.url.fl_str_mv http://repositorio.ufc.br/bitstream/riufc/48708/1/2019_art_lfnassahd.pdf
http://repositorio.ufc.br/bitstream/riufc/48708/2/license.txt
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repository.name.fl_str_mv Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv bu@ufc.br || repositorio@ufc.br
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