PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH

Bibliographic Details
Main Author: Zimbres, Paula
Publication Date: 2019
Format: Article
Language: por
Source: Orfeu (Florianópolis)
Download full: https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019169
Summary: Ernesto Nazareth holds an exemplary position in the debates surrounding the classical-popular dichotomy that are crucial for understanding Brazilian culture throughout the 20th century. Having lived, according to Elizabeth Travassos, “at the threshold between both worlds”, his work, which is now part of the canonic repertoire of both classical and popular musicians, exemplifies clearly the possibility of superposing values and procedures associated with each of these spheres. This paper analyses two recordings of his piece Fon-fon! (one by Eudóxia de Barros, dated 1963, and the other by André Mehmari, in 2014), with the aim of identifying the interpretive resources through which each artist emphasizes the central values pertaining to his or her field – fidelity to the score and to the composer’s intentions, in the case of the classically-trained pianista; and freedom of personal expression in the case of the pianeiro associated with popular music. Our conclusion, however, is that, by following a certain set of values, each interpreter ends up reinforcing and expressing also values pertaining to the other field.
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spelling PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETHPianistas ou Pianeiros: duas interpretações do tango Fon Fon de Ernesto NazarethErnesto Nazarethpianoerudito e popularErnesto Nazarethclassical x popularpianoErnesto Nazareth holds an exemplary position in the debates surrounding the classical-popular dichotomy that are crucial for understanding Brazilian culture throughout the 20th century. Having lived, according to Elizabeth Travassos, “at the threshold between both worlds”, his work, which is now part of the canonic repertoire of both classical and popular musicians, exemplifies clearly the possibility of superposing values and procedures associated with each of these spheres. This paper analyses two recordings of his piece Fon-fon! (one by Eudóxia de Barros, dated 1963, and the other by André Mehmari, in 2014), with the aim of identifying the interpretive resources through which each artist emphasizes the central values pertaining to his or her field – fidelity to the score and to the composer’s intentions, in the case of the classically-trained pianista; and freedom of personal expression in the case of the pianeiro associated with popular music. Our conclusion, however, is that, by following a certain set of values, each interpreter ends up reinforcing and expressing also values pertaining to the other field.Ernesto Nazareth ocupa posição exemplar nos debates em torno da dicotomia erudito-popular que são cruciais para a compreensão da cultura brasileira ao longo dos séculos XIX-XX. Tendo vivido, segundo Elizabeth Travassos, “no limiar entre os dois mundos”, sua obra, que hoje é parte do repertório canônico tanto de músicos eruditos quanto populares, exemplifica a possibilidade da sobreposição de valores e procedimentos pertinentes a ambas as esferas. Este trabalho analisa duas gravações de sua peça Fon-Fon!(uma de Eudóxia de Barros, datada de 1963, e outra de André Mehmari, em 2013) procurando detectar os recursos interpretativos por meio dos quais cada uma das gravações enfatiza os valores centrais de sua área de atuação – a fidelidade à partitura e à intenção do autor, pela pianistade formação erudita; e a liberdade de expressão pessoal característica do pianeirovinculado à música popular. Concluímos, entretanto, que, ao se pautar por um determinado conjunto de valores, cada um acaba por reforçar e expressar também valores pertinentes ao outro campo.Universidade do Estado de Santa Catarina2019-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/105965252553040402201916910.5965/2525530404022019169Orfeu; Vol. 4 No. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-189Orfeu; Vol. 4 Núm. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-189Orfeu; v. 4 n. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-1892525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019169/11020Copyright (c) 2019 ORFEUinfo:eu-repo/semantics/openAccessZimbres, Paula2022-07-01T13:31:40Zoai::article/15884Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2022-07-01T13:31:40Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
Pianistas ou Pianeiros: duas interpretações do tango Fon Fon de Ernesto Nazareth
title PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
spellingShingle PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
Zimbres, Paula
Ernesto Nazareth
piano
erudito e popular
Ernesto Nazareth
classical x popular
piano
title_short PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
title_full PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
title_fullStr PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
title_full_unstemmed PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
title_sort PIANISTAS OR PIANEIROS?: TWO RENDITIONS OF THE TANGO FON-FON!, BY ERNESTO NAZARETH
author Zimbres, Paula
author_facet Zimbres, Paula
author_role author
dc.contributor.author.fl_str_mv Zimbres, Paula
dc.subject.por.fl_str_mv Ernesto Nazareth
piano
erudito e popular
Ernesto Nazareth
classical x popular
piano
topic Ernesto Nazareth
piano
erudito e popular
Ernesto Nazareth
classical x popular
piano
description Ernesto Nazareth holds an exemplary position in the debates surrounding the classical-popular dichotomy that are crucial for understanding Brazilian culture throughout the 20th century. Having lived, according to Elizabeth Travassos, “at the threshold between both worlds”, his work, which is now part of the canonic repertoire of both classical and popular musicians, exemplifies clearly the possibility of superposing values and procedures associated with each of these spheres. This paper analyses two recordings of his piece Fon-fon! (one by Eudóxia de Barros, dated 1963, and the other by André Mehmari, in 2014), with the aim of identifying the interpretive resources through which each artist emphasizes the central values pertaining to his or her field – fidelity to the score and to the composer’s intentions, in the case of the classically-trained pianista; and freedom of personal expression in the case of the pianeiro associated with popular music. Our conclusion, however, is that, by following a certain set of values, each interpreter ends up reinforcing and expressing also values pertaining to the other field.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019169
10.5965/2525530404022019169
url https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019169
identifier_str_mv 10.5965/2525530404022019169
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404022019169/11020
dc.rights.driver.fl_str_mv Copyright (c) 2019 ORFEU
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 ORFEU
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 4 No. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-189
Orfeu; Vol. 4 Núm. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-189
Orfeu; v. 4 n. 2 (2019): Dossiê Música e Internacionalização Universitária; 169-189
2525-5304
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
_version_ 1842260670380244992

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