Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal
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Publication Date: | 2024 |
Format: | Article |
Language: | por |
Source: | Orfeu (Florianópolis) |
Download full: | https://periodicos.udesc.br/index.php/orfeu/article/view/25478 |
Summary: | The study of the vertical or harmonic dimension of music involves two fundamental perspectives: the lexical and the syntactic. In the lexical context, we deal with chords, while in the syntactic perspective, we focus on the relationships between these chords. When we approach the harmonic lexicon, we encounter two fundamental dimensions, one of a quantitative nature and the other qualitative. The quantitative dimension concerns the counting of the notes that compose the chords, i.e., their cardinality. Meanwhile, in the qualitative realm, we adopt the expression 'degree of dissonance' to describe this characteristic. In the first part of this study, we will explore the construction of a harmonic lexicon with chords containing three notes, using combinations of intervals between the different notes of the chromatic scale. In the second part, we will analyze various factors of a syntactic nature, including tonality, parsimony, degree of dissonance, stochastic aspects, and the concept of intertextuality in music. |
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Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposalQuantificação do grau de dissonância cromático como ferramenta de planejamento composicional: uma proposta pedagógicagrau de dissonânciaplanejamento composicional em músicaharmoniacomposição musicaldegree of dissonancecompositional planning in musicharmonymusical compositionThe study of the vertical or harmonic dimension of music involves two fundamental perspectives: the lexical and the syntactic. In the lexical context, we deal with chords, while in the syntactic perspective, we focus on the relationships between these chords. When we approach the harmonic lexicon, we encounter two fundamental dimensions, one of a quantitative nature and the other qualitative. The quantitative dimension concerns the counting of the notes that compose the chords, i.e., their cardinality. Meanwhile, in the qualitative realm, we adopt the expression 'degree of dissonance' to describe this characteristic. In the first part of this study, we will explore the construction of a harmonic lexicon with chords containing three notes, using combinations of intervals between the different notes of the chromatic scale. In the second part, we will analyze various factors of a syntactic nature, including tonality, parsimony, degree of dissonance, stochastic aspects, and the concept of intertextuality in music.O estudo da dimensão vertical ou harmônica da música envolve duas perspectivas fundamentais: a léxica e a sintática. No contexto léxico, lidamos com acordes, enquanto na perspectiva sintática, focamos nas relações entre esses acordes. Quando abordamos o léxico harmônico, encontramos duas dimensões fundamentais, uma de natureza quantitativa e outra qualitativa. A dimensão quantitativa diz respeito à contagem das notas que compõem os acordes, ou seja, sua cardinalidade. Enquanto isso, no âmbito qualitativo, adotamos a expressão “grau de dissonância” para descrever essa característica. Na primeira parte deste estudo, vamos explorar a construção de um léxico harmônico com acordes contendo três notas, usando combinações dos intervalos entre as diferentes notas da escala cromática. Na segunda parte, iremos analisar diversos fatores de natureza sintática, incluindo a tonalidade, a parcimônia, o grau de dissonância, aspectos estocásticos e o conceito de intertextualidade na música.Universidade do Estado de Santa Catarina2024-09-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/2547810.5965/2525530409022024e0104Orfeu; Vol. 9 No. 2 (2024): Special Issue: 5th Brazilian Association of Musical Theory and Analysis - TeMA; e0104Orfeu; Vol. 9 Núm. 2 (2024): Dossier: V Encuentro de la Asociación Brasileña de Teoría y Análisis Musical - TeMA; e0104Orfeu; v. 9 n. 2 (2024): Dossiê: V Encontro da Associação Brasileira de Teoria e Análise Musical - TeMA; e01042525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/25478/17474Copyright (c) 2024 Liduino José Pitombeira de Oliveirainfo:eu-repo/semantics/openAccessOliveira, Liduino José Pitombeira de2024-10-14T12:01:43Zoai::article/25478Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2024-10-14T12:01:43Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal Quantificação do grau de dissonância cromático como ferramenta de planejamento composicional: uma proposta pedagógica |
title |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
spellingShingle |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal Oliveira, Liduino José Pitombeira de grau de dissonância planejamento composicional em música harmonia composição musical degree of dissonance compositional planning in music harmony musical composition |
title_short |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
title_full |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
title_fullStr |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
title_full_unstemmed |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
title_sort |
Quantification of the degree of chromatic dissonance as a music compositional planning tool: a pedagogical proposal |
author |
Oliveira, Liduino José Pitombeira de |
author_facet |
Oliveira, Liduino José Pitombeira de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Liduino José Pitombeira de |
dc.subject.por.fl_str_mv |
grau de dissonância planejamento composicional em música harmonia composição musical degree of dissonance compositional planning in music harmony musical composition |
topic |
grau de dissonância planejamento composicional em música harmonia composição musical degree of dissonance compositional planning in music harmony musical composition |
description |
The study of the vertical or harmonic dimension of music involves two fundamental perspectives: the lexical and the syntactic. In the lexical context, we deal with chords, while in the syntactic perspective, we focus on the relationships between these chords. When we approach the harmonic lexicon, we encounter two fundamental dimensions, one of a quantitative nature and the other qualitative. The quantitative dimension concerns the counting of the notes that compose the chords, i.e., their cardinality. Meanwhile, in the qualitative realm, we adopt the expression 'degree of dissonance' to describe this characteristic. In the first part of this study, we will explore the construction of a harmonic lexicon with chords containing three notes, using combinations of intervals between the different notes of the chromatic scale. In the second part, we will analyze various factors of a syntactic nature, including tonality, parsimony, degree of dissonance, stochastic aspects, and the concept of intertextuality in music. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-09-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/orfeu/article/view/25478 10.5965/2525530409022024e0104 |
url |
https://periodicos.udesc.br/index.php/orfeu/article/view/25478 |
identifier_str_mv |
10.5965/2525530409022024e0104 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/orfeu/article/view/25478/17474 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Liduino José Pitombeira de Oliveira info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Liduino José Pitombeira de Oliveira |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Orfeu; Vol. 9 No. 2 (2024): Special Issue: 5th Brazilian Association of Musical Theory and Analysis - TeMA; e0104 Orfeu; Vol. 9 Núm. 2 (2024): Dossier: V Encuentro de la Asociación Brasileña de Teoría y Análisis Musical - TeMA; e0104 Orfeu; v. 9 n. 2 (2024): Dossiê: V Encontro da Associação Brasileira de Teoria e Análise Musical - TeMA; e0104 2525-5304 reponame:Orfeu (Florianópolis) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Orfeu (Florianópolis) |
collection |
Orfeu (Florianópolis) |
repository.name.fl_str_mv |
Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
orfeu.ceart@udesc.br | orfeu.ceart@udesc.br |
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1842260671693062144 |