(Re) Percussões de “Missa dos Quilombos”

Bibliographic Details
Main Author: Garcia, Luiz Henrique Assis
Publication Date: 2018
Other Authors: Públio, Hudson Leonardo Lima
Format: Article
Language: por
Source: Orfeu (Florianópolis)
Download full: https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530403022018164
Summary: This article proposes considerations on Missa dos Quilombos [Maroon’s Mass], an LP produced and recorded live in 1982, with music and arrangements by Milton Nascimento and lyrics by the priest Pedro Casaldáliga and Pedro Tierra, reedited on CD in 1995. We will take the phonograms as the main source of our analysis, but seeking to articulate them to the event and repercussions of the religious rite that generated the recording, insofar as these also contribute to elucidate the larger aesthetic and political project that encompasses all these records. Combining the interdisciplinary analysis of popular music studies with the historiographic investigation of printed sources, we hope, finally, to understand the Mass and its recording as participants in the Brazilian cultural history relevant for the democratic resumption precisely because of the way in which converge to them the main lines of the affirmation of cultural and religious afrodiasporic matrices as indispensable elements of Brazilian and Latin American history and society.
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spelling (Re) Percussões de “Missa dos Quilombos”Missa dos QuilombosMúsica popularHibridação CulturalDiáspora AfricanaAfrican DiasporaCultural HybridizationPopular MusicMaroon’s MassThis article proposes considerations on Missa dos Quilombos [Maroon’s Mass], an LP produced and recorded live in 1982, with music and arrangements by Milton Nascimento and lyrics by the priest Pedro Casaldáliga and Pedro Tierra, reedited on CD in 1995. We will take the phonograms as the main source of our analysis, but seeking to articulate them to the event and repercussions of the religious rite that generated the recording, insofar as these also contribute to elucidate the larger aesthetic and political project that encompasses all these records. Combining the interdisciplinary analysis of popular music studies with the historiographic investigation of printed sources, we hope, finally, to understand the Mass and its recording as participants in the Brazilian cultural history relevant for the democratic resumption precisely because of the way in which converge to them the main lines of the affirmation of cultural and religious afrodiasporic matrices as indispensable elements of Brazilian and Latin American history and society.Este artigo propõe reflexões sobre Missa dos Quilombos, LP produzido e gravado ao vivo em 1982, com música e arranjos de Milton Nascimento para letras do sacerdote Pedro Casaldáliga e do poeta Pedro Tierra, reeditado em CD em 1995. Tomaremos os fonogramas como fonte maior de nossa análise, mas procurando articulá-los ao evento e à repercussão do rito religioso que gerou a gravação, na medida em que estes contribuem também para elucidar o projeto estético e político maior que engloba todos estes registros. Aliando a análise interdisciplinar dos estudos de canção e música popular à investigação historiográfica de fontes impressas, esperamos, finalmente, compreender a Missa e sua gravação como partícipes da história cultural brasileira, relevantes na retomada democrática justamente pela forma como nelas confluem linhas mestras da afirmação de matrizes culturais e religiosas afrodiaspóricas como elementos indispensáveis da história e da sociedade brasileira e latino-americana.Universidade do Estado de Santa Catarina2018-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/105965252553040302201816410.5965/2525530403022018164Orfeu; Vol. 3 No. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-188Orfeu; Vol. 3 Núm. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-188Orfeu; v. 3 n. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-1882525-530410.5965/2525530403022018reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530403022018164/9593Copyright (c) 2018 ORFEUinfo:eu-repo/semantics/openAccessGarcia, Luiz Henrique AssisPúblio, Hudson Leonardo Lima2022-07-01T12:12:57Zoai::article/12861Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2022-07-01T12:12:57Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv (Re) Percussões de “Missa dos Quilombos”
title (Re) Percussões de “Missa dos Quilombos”
spellingShingle (Re) Percussões de “Missa dos Quilombos”
Garcia, Luiz Henrique Assis
Missa dos Quilombos
Música popular
Hibridação Cultural
Diáspora Africana
African Diaspora
Cultural Hybridization
Popular Music
Maroon’s Mass
title_short (Re) Percussões de “Missa dos Quilombos”
title_full (Re) Percussões de “Missa dos Quilombos”
title_fullStr (Re) Percussões de “Missa dos Quilombos”
title_full_unstemmed (Re) Percussões de “Missa dos Quilombos”
title_sort (Re) Percussões de “Missa dos Quilombos”
author Garcia, Luiz Henrique Assis
author_facet Garcia, Luiz Henrique Assis
Públio, Hudson Leonardo Lima
author_role author
author2 Públio, Hudson Leonardo Lima
author2_role author
dc.contributor.author.fl_str_mv Garcia, Luiz Henrique Assis
Públio, Hudson Leonardo Lima
dc.subject.por.fl_str_mv Missa dos Quilombos
Música popular
Hibridação Cultural
Diáspora Africana
African Diaspora
Cultural Hybridization
Popular Music
Maroon’s Mass
topic Missa dos Quilombos
Música popular
Hibridação Cultural
Diáspora Africana
African Diaspora
Cultural Hybridization
Popular Music
Maroon’s Mass
description This article proposes considerations on Missa dos Quilombos [Maroon’s Mass], an LP produced and recorded live in 1982, with music and arrangements by Milton Nascimento and lyrics by the priest Pedro Casaldáliga and Pedro Tierra, reedited on CD in 1995. We will take the phonograms as the main source of our analysis, but seeking to articulate them to the event and repercussions of the religious rite that generated the recording, insofar as these also contribute to elucidate the larger aesthetic and political project that encompasses all these records. Combining the interdisciplinary analysis of popular music studies with the historiographic investigation of printed sources, we hope, finally, to understand the Mass and its recording as participants in the Brazilian cultural history relevant for the democratic resumption precisely because of the way in which converge to them the main lines of the affirmation of cultural and religious afrodiasporic matrices as indispensable elements of Brazilian and Latin American history and society.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530403022018164
10.5965/2525530403022018164
url https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530403022018164
identifier_str_mv 10.5965/2525530403022018164
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530403022018164/9593
dc.rights.driver.fl_str_mv Copyright (c) 2018 ORFEU
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 ORFEU
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 3 No. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-188
Orfeu; Vol. 3 Núm. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-188
Orfeu; v. 3 n. 2 (2018): Dossiê A Música na Diáspora Africana da América Latina; 164-188
2525-5304
10.5965/2525530403022018
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
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