The Utopia in Omelas, a Yin-Yang analysis

Bibliographic Details
Main Author: , Rita Morais F.
Publication Date: 2024
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://ojs.letras.up.pt/index.php/VP/article/view/14370
Summary: ABSTRACT: “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin delves into the complexities of the human condition and nature, exploring through them the concept of utopia. Resorting to the Yin Yang theory, Le Guin proposes the interdependence between utopian and dystopian traits exploring the cycle they form and the transformation they allow. Omelas stands, in this article, as the perfect example of this interdependence, as it presents a seemingly utopian setting marked by inherently dystopian traits, i.e., the child and the abuse to which it is the victim. The paradoxical nature of Omelas prompts contemplation regarding the true meaning of utopia and the means through which it can be achieved or not By analyzing the departure of those who refuse to perpetuate Omelas’ social contract through the Yin Yang lens, this article clarifies where the utopia truly resides in Omelas. In light of this, one finds that the true utopia in Omelas can be found in three places: the ones who choose to leave, as the embodiment of utopia; the journey on which they embark and finally, the out of reach destination they are heading towards, and which will keep moving them. In this story, Le Guin parts with the tradition of utopian writing, advocating for a dynamic state rather than a static one.
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spelling The Utopia in Omelas, a Yin-Yang analysisThematic Section: Subsection by Undergraduate Students | ArticlesABSTRACT: “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin delves into the complexities of the human condition and nature, exploring through them the concept of utopia. Resorting to the Yin Yang theory, Le Guin proposes the interdependence between utopian and dystopian traits exploring the cycle they form and the transformation they allow. Omelas stands, in this article, as the perfect example of this interdependence, as it presents a seemingly utopian setting marked by inherently dystopian traits, i.e., the child and the abuse to which it is the victim. The paradoxical nature of Omelas prompts contemplation regarding the true meaning of utopia and the means through which it can be achieved or not By analyzing the departure of those who refuse to perpetuate Omelas’ social contract through the Yin Yang lens, this article clarifies where the utopia truly resides in Omelas. In light of this, one finds that the true utopia in Omelas can be found in three places: the ones who choose to leave, as the embodiment of utopia; the journey on which they embark and finally, the out of reach destination they are heading towards, and which will keep moving them. In this story, Le Guin parts with the tradition of utopian writing, advocating for a dynamic state rather than a static one.RESUMO: The Ones Who Walk Away from Omelas” de Ursula K. Le Guin detalha as complexidades da condição e natureza humana, explorando as através do conceito de utopia. No seu entendimento da teoria de Yin Yang, Le Guin propõe a interdependência entre traços utópico e distópicos, explorando o ciclo que formam e as transformações que permitem. Omelas serve, neste artigo, como o exemplo primo desta interdependência, apresentando um cenário aparentemente utópico, marcado por traços inerentemente distópicos, i.e., a crian ça e o abuso d e que é vítima. A natureza paradoxal de Omelas incita contemplação relativamente ao verdadeiro significado de utopia e os meios pelos quais pode, ou não, ser alcançado. Analisando, através da lente Yin Yang, a partida daqueles que recusam perpetuar o contrato social de Omelas este artigo oferece clareza  relativamente ao verdadeiro lugar da utopia em Omelas. Neste sentido, é possível encontrar a verdadeira utopia em Omelas em três partes distintas: aqueles que escolhem partir, como a personificação d a utopia a jornada em que embarcam e por último, o destino, sempre fora de alcance, para onde se movem e que os move eternamente. Neste conto, Le Guin afasta se da tradição utópica, estabelecendo e defendendo um estado dinâmico, em vez de um estático.FLUP/CETAPS2024-08-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://ojs.letras.up.pt/index.php/VP/article/view/14370eng2182-99341645-9652, Rita Morais F.info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-09-06T04:45:31Zoai:ojs.letras.up.pt/ojs:article/14370Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:47:46.976759Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv The Utopia in Omelas, a Yin-Yang analysis
title The Utopia in Omelas, a Yin-Yang analysis
spellingShingle The Utopia in Omelas, a Yin-Yang analysis
, Rita Morais F.
Thematic Section: Subsection by Undergraduate Students | Articles
title_short The Utopia in Omelas, a Yin-Yang analysis
title_full The Utopia in Omelas, a Yin-Yang analysis
title_fullStr The Utopia in Omelas, a Yin-Yang analysis
title_full_unstemmed The Utopia in Omelas, a Yin-Yang analysis
title_sort The Utopia in Omelas, a Yin-Yang analysis
author , Rita Morais F.
author_facet , Rita Morais F.
author_role author
dc.contributor.author.fl_str_mv , Rita Morais F.
dc.subject.por.fl_str_mv Thematic Section: Subsection by Undergraduate Students | Articles
topic Thematic Section: Subsection by Undergraduate Students | Articles
description ABSTRACT: “The Ones Who Walk Away from Omelas” by Ursula K. Le Guin delves into the complexities of the human condition and nature, exploring through them the concept of utopia. Resorting to the Yin Yang theory, Le Guin proposes the interdependence between utopian and dystopian traits exploring the cycle they form and the transformation they allow. Omelas stands, in this article, as the perfect example of this interdependence, as it presents a seemingly utopian setting marked by inherently dystopian traits, i.e., the child and the abuse to which it is the victim. The paradoxical nature of Omelas prompts contemplation regarding the true meaning of utopia and the means through which it can be achieved or not By analyzing the departure of those who refuse to perpetuate Omelas’ social contract through the Yin Yang lens, this article clarifies where the utopia truly resides in Omelas. In light of this, one finds that the true utopia in Omelas can be found in three places: the ones who choose to leave, as the embodiment of utopia; the journey on which they embark and finally, the out of reach destination they are heading towards, and which will keep moving them. In this story, Le Guin parts with the tradition of utopian writing, advocating for a dynamic state rather than a static one.
publishDate 2024
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