The souvenir and its organization from the relationship with the cultural identity
| Main Author: | |
|---|---|
| Publication Date: | 2017 |
| Format: | Article |
| Language: | por |
| Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| Download full: | https://eras.mundis.pt/index.php/eras/article/view/63 |
Summary: | In the following lines we will raise an analysis of the relationship established between the souvenir objects, understood as design objects whose meaning lies in its symbolic and conceptual, as containers of the idea of memory, and the cultural context in which They offer and intended to communicate a number of meanings attached to their identity. The analysis will be based on a definition bounded to the idea of culture and cultural identity as a dynamic conceptual construct contingent in the context of post-modernity and therefore will be decisive in generating categories on which to propose a classification or organization of these objects. |
| id |
RCAP_7bec4f8f180419bf285d9d5c6c0fea16 |
|---|---|
| oai_identifier_str |
oai:ojs2.eras.mundis.pt:article/63 |
| network_acronym_str |
RCAP |
| network_name_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| repository_id_str |
https://opendoar.ac.uk/repository/7160 |
| spelling |
The souvenir and its organization from the relationship with the cultural identityEL SOUVENIR Y SU ORGANIZACIÓN A PARTIR DE LA RELACIÓN CON LA IDENTIDAD CULTURALsouvenirDesign objectsCultural identitysouvenirobjetos de diseñoidentidad culturalIn the following lines we will raise an analysis of the relationship established between the souvenir objects, understood as design objects whose meaning lies in its symbolic and conceptual, as containers of the idea of memory, and the cultural context in which They offer and intended to communicate a number of meanings attached to their identity. The analysis will be based on a definition bounded to the idea of culture and cultural identity as a dynamic conceptual construct contingent in the context of post-modernity and therefore will be decisive in generating categories on which to propose a classification or organization of these objects.En las siguientes líneas plantearemos un análisis acerca de la relación que se establece entre los objetos souvenir, entendidos como objetos de diseño cuyo sentido está en su carácter simbólico y conceptual, como contenedores de la idea de recuerdo, y el contexto cultural en el que se ofrecen y del que pretenden comunicar una serie de significados vinculados con su identidad. El análisis se fundamentará sobre una definición acotada de la idea de cultura y de identidad cultural como un constructo conceptual dinámico, contingente en el contexto de la posmodernidad y que por lo tanto será determinante para generar categorías sobre las cuales proponer una clasificación u organización de estos objetosMUNDIS2017-06-30T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://eras.mundis.pt/index.php/eras/article/view/63oai:ojs2.eras.mundis.pt:article/63ERAS | Revista Europeia de Estudos Artísticos ; Vol. 8 N.º 1 (2017): 28.ª Edição | ERAS; 66-801647-35582184-2116reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPporhttps://eras.mundis.pt/index.php/eras/article/view/63https://eras.mundis.pt/index.php/eras/article/view/63/84Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticosinfo:eu-repo/semantics/openAccessCharpentier, Claudio Andrés Petit-Laurent2022-09-05T13:57:37Zoai:ojs2.eras.mundis.pt:article/63Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T10:04:11.688196Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
| dc.title.none.fl_str_mv |
The souvenir and its organization from the relationship with the cultural identity EL SOUVENIR Y SU ORGANIZACIÓN A PARTIR DE LA RELACIÓN CON LA IDENTIDAD CULTURAL |
| title |
The souvenir and its organization from the relationship with the cultural identity |
| spellingShingle |
The souvenir and its organization from the relationship with the cultural identity Charpentier, Claudio Andrés Petit-Laurent souvenir Design objects Cultural identity souvenir objetos de diseño identidad cultural |
| title_short |
The souvenir and its organization from the relationship with the cultural identity |
| title_full |
The souvenir and its organization from the relationship with the cultural identity |
| title_fullStr |
The souvenir and its organization from the relationship with the cultural identity |
| title_full_unstemmed |
The souvenir and its organization from the relationship with the cultural identity |
| title_sort |
The souvenir and its organization from the relationship with the cultural identity |
| author |
Charpentier, Claudio Andrés Petit-Laurent |
| author_facet |
Charpentier, Claudio Andrés Petit-Laurent |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Charpentier, Claudio Andrés Petit-Laurent |
| dc.subject.por.fl_str_mv |
souvenir Design objects Cultural identity souvenir objetos de diseño identidad cultural |
| topic |
souvenir Design objects Cultural identity souvenir objetos de diseño identidad cultural |
| description |
In the following lines we will raise an analysis of the relationship established between the souvenir objects, understood as design objects whose meaning lies in its symbolic and conceptual, as containers of the idea of memory, and the cultural context in which They offer and intended to communicate a number of meanings attached to their identity. The analysis will be based on a definition bounded to the idea of culture and cultural identity as a dynamic conceptual construct contingent in the context of post-modernity and therefore will be decisive in generating categories on which to propose a classification or organization of these objects. |
| publishDate |
2017 |
| dc.date.none.fl_str_mv |
2017-06-30T00:00:00Z |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/other |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://eras.mundis.pt/index.php/eras/article/view/63 oai:ojs2.eras.mundis.pt:article/63 |
| url |
https://eras.mundis.pt/index.php/eras/article/view/63 |
| identifier_str_mv |
oai:ojs2.eras.mundis.pt:article/63 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://eras.mundis.pt/index.php/eras/article/view/63 https://eras.mundis.pt/index.php/eras/article/view/63/84 |
| dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
MUNDIS |
| publisher.none.fl_str_mv |
MUNDIS |
| dc.source.none.fl_str_mv |
ERAS | Revista Europeia de Estudos Artísticos ; Vol. 8 N.º 1 (2017): 28.ª Edição | ERAS; 66-80 1647-3558 2184-2116 reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia instacron:RCAAP |
| instname_str |
FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
| instacron_str |
RCAAP |
| institution |
RCAAP |
| reponame_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| collection |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| repository.name.fl_str_mv |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
| repository.mail.fl_str_mv |
info@rcaap.pt |
| _version_ |
1833590442417979392 |