Imagens sonoras: uma proposta de leitura de A Canção de Lisboa

Bibliographic Details
Main Author: Barreira, Hugo
Publication Date: 2018
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://hdl.handle.net/10216/117670
Summary: This article aims to propose a new understanding of the film A Canção de Lisboa (1933) by Cottinelli Telmo based on the analysis of the role of music and sound in the film. The study of the film was grounded on a documentary survey and a set of views of a digital copy of agreement and which resulted in some descriptive instruments. Considering that this is the first sound film entirely produced in Portugal, the analysis of the 1933 film will be preceded by a first part, a contextualization, which presents some of the possibilities explored in the transition from mute to sound in a national context.
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spelling Imagens sonoras: uma proposta de leitura de A Canção de LisboaArtes do espectáculoPerforming artsThis article aims to propose a new understanding of the film A Canção de Lisboa (1933) by Cottinelli Telmo based on the analysis of the role of music and sound in the film. The study of the film was grounded on a documentary survey and a set of views of a digital copy of agreement and which resulted in some descriptive instruments. Considering that this is the first sound film entirely produced in Portugal, the analysis of the 1933 film will be preceded by a first part, a contextualization, which presents some of the possibilities explored in the transition from mute to sound in a national context.20182018-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/117670por2357-8807Barreira, Hugoinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-02-27T16:56:00Zoai:repositorio-aberto.up.pt:10216/117670Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T21:57:44.357263Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
title Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
spellingShingle Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
Barreira, Hugo
Artes do espectáculo
Performing arts
title_short Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
title_full Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
title_fullStr Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
title_full_unstemmed Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
title_sort Imagens sonoras: uma proposta de leitura de A Canção de Lisboa
author Barreira, Hugo
author_facet Barreira, Hugo
author_role author
dc.contributor.author.fl_str_mv Barreira, Hugo
dc.subject.por.fl_str_mv Artes do espectáculo
Performing arts
topic Artes do espectáculo
Performing arts
description This article aims to propose a new understanding of the film A Canção de Lisboa (1933) by Cottinelli Telmo based on the analysis of the role of music and sound in the film. The study of the film was grounded on a documentary survey and a set of views of a digital copy of agreement and which resulted in some descriptive instruments. Considering that this is the first sound film entirely produced in Portugal, the analysis of the 1933 film will be preceded by a first part, a contextualization, which presents some of the possibilities explored in the transition from mute to sound in a national context.
publishDate 2018
dc.date.none.fl_str_mv 2018
2018-01-01T00:00:00Z
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dc.language.iso.fl_str_mv por
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