Think the image, don't make it! On algorithmic thinking, art education, and re-coding
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2017 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| Texto Completo: | https://doi.org/10.7559/citarj.v9i3.458 |
Resumo: | In conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically. |
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Think the image, don't make it! On algorithmic thinking, art education, and re-codingIn conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically.Universidade Católica Portuguesa2017-09-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v9i3.458oai:ojs.revistas.ucp.pt:article/7292Journal of Science and Technology of the Arts; Vol 9 No 3 (2017): xCoAx 2017; 21-31Journal of Science and Technology of the Arts; v. 9 n. 3 (2017): xCoAx 2017; 21-312183-00881646-979810.34632/citarj.2017.9.3reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7292https://doi.org/10.7559/citarj.v9i3.458https://revistas.ucp.pt/index.php/jsta/article/view/7292/7292Copyright (c) 2017 Frieder Nake, Susan Grabowskihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNake, FriederGrabowski, Susan2022-09-22T16:19:21Zoai:ojs.revistas.ucp.pt:article/7292Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T10:19:26.144585Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
| dc.title.none.fl_str_mv |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| title |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| spellingShingle |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding Nake, Frieder |
| title_short |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| title_full |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| title_fullStr |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| title_full_unstemmed |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| title_sort |
Think the image, don't make it! On algorithmic thinking, art education, and re-coding |
| author |
Nake, Frieder |
| author_facet |
Nake, Frieder Grabowski, Susan |
| author_role |
author |
| author2 |
Grabowski, Susan |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Nake, Frieder Grabowski, Susan |
| description |
In conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically. |
| publishDate |
2017 |
| dc.date.none.fl_str_mv |
2017-09-01T00:00:00Z |
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journal article info:eu-repo/semantics/article |
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info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v9i3.458 oai:ojs.revistas.ucp.pt:article/7292 |
| url |
https://doi.org/10.7559/citarj.v9i3.458 |
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oai:ojs.revistas.ucp.pt:article/7292 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7292 https://doi.org/10.7559/citarj.v9i3.458 https://revistas.ucp.pt/index.php/jsta/article/view/7292/7292 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Frieder Nake, Susan Grabowski http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2017 Frieder Nake, Susan Grabowski http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
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Universidade Católica Portuguesa |
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Universidade Católica Portuguesa |
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Journal of Science and Technology of the Arts; Vol 9 No 3 (2017): xCoAx 2017; 21-31 Journal of Science and Technology of the Arts; v. 9 n. 3 (2017): xCoAx 2017; 21-31 2183-0088 1646-9798 10.34632/citarj.2017.9.3 reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia instacron:RCAAP |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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