Think the image, don't make it! On algorithmic thinking, art education, and re-coding

Detalhes bibliográficos
Autor(a) principal: Nake, Frieder
Data de Publicação: 2017
Outros Autores: Grabowski, Susan
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Texto Completo: https://doi.org/10.7559/citarj.v9i3.458
Resumo: In conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically.
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spelling Think the image, don't make it! On algorithmic thinking, art education, and re-codingIn conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically.Universidade Católica Portuguesa2017-09-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v9i3.458oai:ojs.revistas.ucp.pt:article/7292Journal of Science and Technology of the Arts; Vol 9 No 3 (2017): xCoAx 2017; 21-31Journal of Science and Technology of the Arts; v. 9 n. 3 (2017): xCoAx 2017; 21-312183-00881646-979810.34632/citarj.2017.9.3reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7292https://doi.org/10.7559/citarj.v9i3.458https://revistas.ucp.pt/index.php/jsta/article/view/7292/7292Copyright (c) 2017 Frieder Nake, Susan Grabowskihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNake, FriederGrabowski, Susan2022-09-22T16:19:21Zoai:ojs.revistas.ucp.pt:article/7292Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T10:19:26.144585Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Think the image, don't make it! On algorithmic thinking, art education, and re-coding
title Think the image, don't make it! On algorithmic thinking, art education, and re-coding
spellingShingle Think the image, don't make it! On algorithmic thinking, art education, and re-coding
Nake, Frieder
title_short Think the image, don't make it! On algorithmic thinking, art education, and re-coding
title_full Think the image, don't make it! On algorithmic thinking, art education, and re-coding
title_fullStr Think the image, don't make it! On algorithmic thinking, art education, and re-coding
title_full_unstemmed Think the image, don't make it! On algorithmic thinking, art education, and re-coding
title_sort Think the image, don't make it! On algorithmic thinking, art education, and re-coding
author Nake, Frieder
author_facet Nake, Frieder
Grabowski, Susan
author_role author
author2 Grabowski, Susan
author2_role author
dc.contributor.author.fl_str_mv Nake, Frieder
Grabowski, Susan
description In conceptual art, the idea is not only starting point and motivation for the material work, it is often considered the work itself. In algorithmic art, thinking the process of generating the image as one instance of an entire class of images becomes the decisive kernel of the creative work. This is so because the generative algorithm is the innovative component of the artist's work. We demonstrate this by critically looking at attempts to re-construct works of early computer art by the re-coding movement. Thinking images is not the same as thinking of images. For thinking images is the act of preparing precise descriptions that control the machinic materialization of images. This kind of activity is a case of algorithmic thinking which, in turn, has become an important general aspect of current society. Art education may play an important role in establishing concrete connections between open artistic and more confined technological ways of thinking when thinking pro-gresses algorithmically.
publishDate 2017
dc.date.none.fl_str_mv 2017-09-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v9i3.458
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url https://doi.org/10.7559/citarj.v9i3.458
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https://doi.org/10.7559/citarj.v9i3.458
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dc.rights.driver.fl_str_mv Copyright (c) 2017 Frieder Nake, Susan Grabowski
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rights_invalid_str_mv Copyright (c) 2017 Frieder Nake, Susan Grabowski
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 9 No 3 (2017): xCoAx 2017; 21-31
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