On Self Codes: a Case Study within Mathematics and Performance Art
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2017 |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| Texto Completo: | https://doi.org/10.7559/citarj.v9i1.257 |
Resumo: | Unicity and existence of bounded solutions are interesting results not just for PDE (Partial Differential Equations) but can also be extended to minimization problems in Calculus of Variations. These results also have a very interesting behavior. The reasoning and research involved in these theoretical results were part of an artistic process in performance art: the performance piece “On Self Codes”. This paper is devoted to the development of possible connections between mathematics research in Calculus of Variations and performance art through a case study. How can one construct a performance art piece inspired on specific research within mathematics, without translation and using intersubjectivities instead? How can we relate two different fields without using them hierarchically? Can we agree on affirming that this type of work is a statement regarding transdisciplinarity, or it maps the ways in which a contemporary body of work can be shaped today? Are these two features incompatible? These are some of the questions that originated this paper. |
| id |
RCAP_484adb5534d42c29b48ebc9ed13e0fe5 |
|---|---|
| oai_identifier_str |
oai:ojs.revistas.ucp.pt:article/7279 |
| network_acronym_str |
RCAP |
| network_name_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| repository_id_str |
https://opendoar.ac.uk/repository/7160 |
| spelling |
On Self Codes: a Case Study within Mathematics and Performance ArtUnicity and existence of bounded solutions are interesting results not just for PDE (Partial Differential Equations) but can also be extended to minimization problems in Calculus of Variations. These results also have a very interesting behavior. The reasoning and research involved in these theoretical results were part of an artistic process in performance art: the performance piece “On Self Codes”. This paper is devoted to the development of possible connections between mathematics research in Calculus of Variations and performance art through a case study. How can one construct a performance art piece inspired on specific research within mathematics, without translation and using intersubjectivities instead? How can we relate two different fields without using them hierarchically? Can we agree on affirming that this type of work is a statement regarding transdisciplinarity, or it maps the ways in which a contemporary body of work can be shaped today? Are these two features incompatible? These are some of the questions that originated this paper.Universidade Católica Portuguesa2017-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v9i1.257oai:ojs.revistas.ucp.pt:article/7279Journal of Science and Technology of the Arts; Vol 9 No 1 (2017); 29-37Journal of Science and Technology of the Arts; v. 9 n. 1 (2017); 29-372183-00881646-979810.34632/citarj.2017.9.1reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7279https://doi.org/10.7559/citarj.v9i1.257https://revistas.ucp.pt/index.php/jsta/article/view/7279/7070Copyright (c) 2017 Telma João Santoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantos, Telma João2022-09-22T16:19:20Zoai:ojs.revistas.ucp.pt:article/7279Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T10:19:25.313348Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
| dc.title.none.fl_str_mv |
On Self Codes: a Case Study within Mathematics and Performance Art |
| title |
On Self Codes: a Case Study within Mathematics and Performance Art |
| spellingShingle |
On Self Codes: a Case Study within Mathematics and Performance Art Santos, Telma João |
| title_short |
On Self Codes: a Case Study within Mathematics and Performance Art |
| title_full |
On Self Codes: a Case Study within Mathematics and Performance Art |
| title_fullStr |
On Self Codes: a Case Study within Mathematics and Performance Art |
| title_full_unstemmed |
On Self Codes: a Case Study within Mathematics and Performance Art |
| title_sort |
On Self Codes: a Case Study within Mathematics and Performance Art |
| author |
Santos, Telma João |
| author_facet |
Santos, Telma João |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Santos, Telma João |
| description |
Unicity and existence of bounded solutions are interesting results not just for PDE (Partial Differential Equations) but can also be extended to minimization problems in Calculus of Variations. These results also have a very interesting behavior. The reasoning and research involved in these theoretical results were part of an artistic process in performance art: the performance piece “On Self Codes”. This paper is devoted to the development of possible connections between mathematics research in Calculus of Variations and performance art through a case study. How can one construct a performance art piece inspired on specific research within mathematics, without translation and using intersubjectivities instead? How can we relate two different fields without using them hierarchically? Can we agree on affirming that this type of work is a statement regarding transdisciplinarity, or it maps the ways in which a contemporary body of work can be shaped today? Are these two features incompatible? These are some of the questions that originated this paper. |
| publishDate |
2017 |
| dc.date.none.fl_str_mv |
2017-01-01T00:00:00Z |
| dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v9i1.257 oai:ojs.revistas.ucp.pt:article/7279 |
| url |
https://doi.org/10.7559/citarj.v9i1.257 |
| identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7279 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7279 https://doi.org/10.7559/citarj.v9i1.257 https://revistas.ucp.pt/index.php/jsta/article/view/7279/7070 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Telma João Santos http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2017 Telma João Santos http://creativecommons.org/licenses/by/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
| publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
| dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 9 No 1 (2017); 29-37 Journal of Science and Technology of the Arts; v. 9 n. 1 (2017); 29-37 2183-0088 1646-9798 10.34632/citarj.2017.9.1 reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia instacron:RCAAP |
| instname_str |
FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
| instacron_str |
RCAAP |
| institution |
RCAAP |
| reponame_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| collection |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| repository.name.fl_str_mv |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
| repository.mail.fl_str_mv |
info@rcaap.pt |
| _version_ |
1833590712817418240 |