The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa

Bibliographic Details
Main Author: Gupta,Pamila
Publication Date: 2017
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612017000100006
Summary: To enter Old Goa during the 2004 Exposition of St. Francis Xavier’s “Sacred Relics” is to experience a world where the corporeal and the carnivalesque coalesce. It is a ritual and religious space wherein the corpse of a 16th century Jesuit missionary-turned-saint takes center stage: pilgrims and tourists stand in the same line to “see” Xavier’s corpse and “touch” his glass casing, Goa’s (Portuguese) colonial legacy is exhibited for public consumption, Catholic religious services and lectures on this missionary’s biography in a variety of languages take place at regular intervals, makeshift stalls sell numerous iconic objects associated with the saint, and finally, the uncertainty of Xavier’s fate is exposed. In this article, I explore the many facets of this exposition of Goa’s patron saint, suggesting that by taking part in these highly ritualized acts focused on Xavier, tourists and pilgrims simultaneously transform the space of Old Goa, consume its “Portuguese” past, and become part of history-in-the-making in the face of the increasing fragility of his corpse. Although this paper is based on ethnographic research conducted in 2004, its themes remain relevant given that Xavier’s last decennial exposition was staged in 2014-2015, and will continue to take place at ten-year intervals.
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spelling The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial GoaGoaIndiaSt. Francis XavierPortuguese colonialismJesuitsGoa tourismTo enter Old Goa during the 2004 Exposition of St. Francis Xavier’s “Sacred Relics” is to experience a world where the corporeal and the carnivalesque coalesce. It is a ritual and religious space wherein the corpse of a 16th century Jesuit missionary-turned-saint takes center stage: pilgrims and tourists stand in the same line to “see” Xavier’s corpse and “touch” his glass casing, Goa’s (Portuguese) colonial legacy is exhibited for public consumption, Catholic religious services and lectures on this missionary’s biography in a variety of languages take place at regular intervals, makeshift stalls sell numerous iconic objects associated with the saint, and finally, the uncertainty of Xavier’s fate is exposed. In this article, I explore the many facets of this exposition of Goa’s patron saint, suggesting that by taking part in these highly ritualized acts focused on Xavier, tourists and pilgrims simultaneously transform the space of Old Goa, consume its “Portuguese” past, and become part of history-in-the-making in the face of the increasing fragility of his corpse. Although this paper is based on ethnographic research conducted in 2004, its themes remain relevant given that Xavier’s last decennial exposition was staged in 2014-2015, and will continue to take place at ten-year intervals.Centro em Rede de Investigação em Antropologia - CRIA2017-02-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612017000100006Etnográfica v.21 n.1 2017reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612017000100006Gupta,Pamilainfo:eu-repo/semantics/openAccess2024-02-06T17:11:43Zoai:scielo:S0873-65612017000100006Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T13:00:12.416514Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
title The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
spellingShingle The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
Gupta,Pamila
Goa
India
St. Francis Xavier
Portuguese colonialism
Jesuits
Goa tourism
title_short The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
title_full The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
title_fullStr The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
title_full_unstemmed The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
title_sort The corporeal and the carnivalesque: the 2004 exposition of St. Francis Xavier and the consumption of history in postcolonial Goa
author Gupta,Pamila
author_facet Gupta,Pamila
author_role author
dc.contributor.author.fl_str_mv Gupta,Pamila
dc.subject.por.fl_str_mv Goa
India
St. Francis Xavier
Portuguese colonialism
Jesuits
Goa tourism
topic Goa
India
St. Francis Xavier
Portuguese colonialism
Jesuits
Goa tourism
description To enter Old Goa during the 2004 Exposition of St. Francis Xavier’s “Sacred Relics” is to experience a world where the corporeal and the carnivalesque coalesce. It is a ritual and religious space wherein the corpse of a 16th century Jesuit missionary-turned-saint takes center stage: pilgrims and tourists stand in the same line to “see” Xavier’s corpse and “touch” his glass casing, Goa’s (Portuguese) colonial legacy is exhibited for public consumption, Catholic religious services and lectures on this missionary’s biography in a variety of languages take place at regular intervals, makeshift stalls sell numerous iconic objects associated with the saint, and finally, the uncertainty of Xavier’s fate is exposed. In this article, I explore the many facets of this exposition of Goa’s patron saint, suggesting that by taking part in these highly ritualized acts focused on Xavier, tourists and pilgrims simultaneously transform the space of Old Goa, consume its “Portuguese” past, and become part of history-in-the-making in the face of the increasing fragility of his corpse. Although this paper is based on ethnographic research conducted in 2004, its themes remain relevant given that Xavier’s last decennial exposition was staged in 2014-2015, and will continue to take place at ten-year intervals.
publishDate 2017
dc.date.none.fl_str_mv 2017-02-01
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dc.publisher.none.fl_str_mv Centro em Rede de Investigação em Antropologia - CRIA
publisher.none.fl_str_mv Centro em Rede de Investigação em Antropologia - CRIA
dc.source.none.fl_str_mv Etnográfica v.21 n.1 2017
reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
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