Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca

Bibliographic Details
Main Author: Herrería Bolado, Manuel
Publication Date: 2024
Format: Article
Language: spa
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.34623/w705-5c75
Summary: This article proposes, within the context of film club relations between Spain and Portugal during the 1950s and 1960s, to rescue and expose the existence of the Secção de Cinema do Orfeão da Covilhã, founded in 1957. This was the first Covillanense cultural experience with cinema. In the second part of the article, the relationship he maintained with the University Film Club of the SEU of Salamanca (CUSS), the greatest exponent of Spanish cinema club during this time, will be revealed. The epistolary documentation found in the archives of these institutions indicates that the reciprocal transfer of cinematographic and bibliographic works became one of the arteries that nourished both cinematographic realities in very similar political, social and cultural contexts. There were some activities, such as the 1958 Cineclubista Exhibition in Covilhã or the 232nd session of the Film Club of Salamanca, which served to strengthen ties and begin to talk about a possible Iberian film club.
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spelling Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with SalamancaSecção de Cinema do Orfeão: el despertar de la cultura cinematográfica en Covilhã y sus relaciones con SalamancaSecção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with SalamancaSecção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with SalamancaCovilhãCineclubSalamancaSCOCCovilhãCineclubSalamancaSCOCCovilhãCineclubSalamancaSCOCCovilhãCineclubSalamancaSCOCThis article proposes, within the context of film club relations between Spain and Portugal during the 1950s and 1960s, to rescue and expose the existence of the Secção de Cinema do Orfeão da Covilhã, founded in 1957. This was the first Covillanense cultural experience with cinema. In the second part of the article, the relationship he maintained with the University Film Club of the SEU of Salamanca (CUSS), the greatest exponent of Spanish cinema club during this time, will be revealed. The epistolary documentation found in the archives of these institutions indicates that the reciprocal transfer of cinematographic and bibliographic works became one of the arteries that nourished both cinematographic realities in very similar political, social and cultural contexts. There were some activities, such as the 1958 Cineclubista Exhibition in Covilhã or the 232nd session of the Film Club of Salamanca, which served to strengthen ties and begin to talk about a possible Iberian film club.Este artículo propone, dentro del contexto de relaciones cineclubistas entre España y Portugal durante las décadas de 1950 y 1960, rescatar y exponer la existencia de la Secção de Cinema do Orfeão da Covilhã, fundada en 1957. Esta supuso el primer acercamiento cultural al cine en Covilhã. En la segunda parte del artículo se desvelará la relación que mantuvo con el Cineclub Universitario del SEU de Salamanca, máximo exponente del cineclubismo universitario español durante los años cincuenta y sesenta. La documentación epistolar hallada en los archivos de estas instituciones, indica que el trasvase recíproco de obras fílmicas y bibliográficas, en contextos políticos, sociales y culturales muy similares, se convirtió en una de las arterias que nutrieron ambas realidades. Hubo algunas actividades, como la Exposição Cineclubista de 1958 en Covilhã o la sesión 232 del Cineclub de Salamanca, que sirvieron para afianzar los lazos y comenzar a hablar de un posible cineclubismo ibérico.This article proposes, within the context of film club relations between Spain and Portugal during the 1950s and 1960s, to rescue and expose the existence of the Secção de Cinema do Orfeão da Covilhã, founded in 1957. This was the first Covillanense cultural experience with cinema. In the second part of the article, the relationship he maintained with the University Film Club of the SEU of Salamanca (CUSS), the greatest exponent of Spanish cinema club during this time, will be revealed. The epistolary documentation found in the archives of these institutions indicates that the reciprocal transfer of cinematographic and bibliographic works became one of the arteries that nourished both cinematographic realities in very similar political, social and cultural contexts. There were some activities, such as the 1958 Cineclubista Exhibition in Covilhã or the 232nd session of the Film Club of Salamanca, which served to strengthen ties and begin to talk about a possible Iberian film club.This article proposes, within the context of film club relations between Spain and Portugal during the 1950s and 1960s, to rescue and expose the existence of the Secção de Cinema do Orfeão da Covilhã, founded in 1957. This was the first Covillanense cultural experience with cinema. In the second part of the article, the relationship he maintained with the University Film Club of the SEU of Salamanca (CUSS), the greatest exponent of Spanish cinema club during this time, will be revealed. The epistolary documentation found in the archives of these institutions indicates that the reciprocal transfer of cinematographic and bibliographic works became one of the arteries that nourished both cinematographic realities in very similar political, social and cultural contexts. There were some activities, such as the 1958 Cineclubista Exhibition in Covilhã or the 232nd session of the Film Club of Salamanca, which served to strengthen ties and begin to talk about a possible Iberian film club.CIAC – Centro de Investigação em Artes e Comunicação2024-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/w705-5c75https://doi.org/10.34623/w705-5c75Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 116-1252184-8661reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPspahttps://publicacoes.ciac.pt/index.php/rotura/article/view/284https://publicacoes.ciac.pt/index.php/rotura/article/view/284/232https://publicacoes.ciac.pt/index.php/rotura/article/view/284/249Direitos de Autor (c) 2024 Manuel Herrería Boladoinfo:eu-repo/semantics/openAccessHerrería Bolado, Manuel2024-10-15T04:00:48Zoai:ojs.publicacoes.ciac.pt:article/284Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:54:35.853695Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
Secção de Cinema do Orfeão: el despertar de la cultura cinematográfica en Covilhã y sus relaciones con Salamanca
Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
title Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
spellingShingle Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
Herrería Bolado, Manuel
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
title_short Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
title_full Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
title_fullStr Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
title_full_unstemmed Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
title_sort Secção de Cinema do Orfeão: the awakening of film culture in Covilhã and its links with Salamanca
author Herrería Bolado, Manuel
author_facet Herrería Bolado, Manuel
author_role author
dc.contributor.author.fl_str_mv Herrería Bolado, Manuel
dc.subject.por.fl_str_mv Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
topic Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
Covilhã
Cineclub
Salamanca
SCOC
description This article proposes, within the context of film club relations between Spain and Portugal during the 1950s and 1960s, to rescue and expose the existence of the Secção de Cinema do Orfeão da Covilhã, founded in 1957. This was the first Covillanense cultural experience with cinema. In the second part of the article, the relationship he maintained with the University Film Club of the SEU of Salamanca (CUSS), the greatest exponent of Spanish cinema club during this time, will be revealed. The epistolary documentation found in the archives of these institutions indicates that the reciprocal transfer of cinematographic and bibliographic works became one of the arteries that nourished both cinematographic realities in very similar political, social and cultural contexts. There were some activities, such as the 1958 Cineclubista Exhibition in Covilhã or the 232nd session of the Film Club of Salamanca, which served to strengthen ties and begin to talk about a possible Iberian film club.
publishDate 2024
dc.date.none.fl_str_mv 2024-09-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34623/w705-5c75
https://doi.org/10.34623/w705-5c75
url https://doi.org/10.34623/w705-5c75
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://publicacoes.ciac.pt/index.php/rotura/article/view/284
https://publicacoes.ciac.pt/index.php/rotura/article/view/284/232
https://publicacoes.ciac.pt/index.php/rotura/article/view/284/249
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2024 Manuel Herrería Bolado
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2024 Manuel Herrería Bolado
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
dc.source.none.fl_str_mv Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 116-125
2184-8661
reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron:RCAAP
instname_str FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron_str RCAAP
institution RCAAP
reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
collection Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository.name.fl_str_mv Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
repository.mail.fl_str_mv info@rcaap.pt
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